Monthly Archives: December 2013

Engine-driving at Kew Bridge

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Kew Bridge Steam Museum

Kew Bridge Steam Museum

The Kew Bridge Steam Museum has been renamed the London Museum of Water & Steam.  I wonder how long it will take people – if they ever do – to stop calling it “Kew Bridge”.

This celebrated treasure-house of steam technology shows stationary pumping engines and other steam-age machinery, live and in action on a regular basis.  Such is the concentration of exhibits that the place runs seven days a week – not simply for periodic steaming days like most out-of-town steam-engine museums.

The pumping station was originally built by the Grand Junction Water Company, whose name disconcertingly advertised that they originally drew their water from the Grand Junction Canal:  after two inlets had proved to be polluted even by early Victorian standards, the Kew Bridge pumping station was built in 1838 to pump water from the supposedly cleaner River Thames to its existing reservoirs.

As demand increased a succession of beam engines were installed on the site, including two of the largest ever built, the 90-inch and 100-inch Cornish engines, and a strange beast that is effectively a beam engine, but with no beam – the Bull engine.

By the time the steam engines were finally decommissioned in 1945 the Metropolitan Water Board, realising that here was a ready-made museum of steam, took the enlightened decision to preserve the site.

The Kew Bridge Steam Museum [http://www.waterandsteam.org.uk] grew from a trust founded in 1973 to enable volunteers to operate the site, and it has become a significant London tourist attraction, easily accessible by rail and providing entertainment as well as education all the year round.

I once took the members of what was then the Guide Dogs Adventure Group to Kew Bridge as part of a ‘Cemeteries and Sewerage’ weekend.  (This was for the people, that is, not the dogs – the engine-house cast-iron floors were not paw-friendly).  You can’t show blind people a beam engine without getting a bit greasy:  they need to sense the height and breadth of the thing and to feel its motion.

One blind teenager in the group asked if he could drive one and, sure enough, he was given the opportunity to grab the levers and make the earth move.  Health-and-safety might prevent this now, but at that time the people at Kew Bridge were able to provide a life-enhancing moment for a guy without sight who wanted the hands-on experience of driving a vast steam engine.

I can’t find the Guide Dogs Adventure Group on the web, but a story that’s founded in its work is at http://www.travistrek.org.uk/scott.html.

For details of Mike Higginbottom’s lecture Temples of Sanitation, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Four-legged mutes

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Tomb of George Wombwell, menagerist, Highgate Cemetery, London

Tomb of George Wombwell, menagerist, Highgate Cemetery, London

My favourite monument in Highgate Cemetery [http://www.highgate-cemetery.org/index.php/home] is the tomb of George Wombwell (1777-1850), the proprietor of the greatest travelling menagerie of nineteenth-century Britain, guarded by a statue of Wombwell’s much-loved and docile lion, Nero.

George Wombwell’s career began when he bought two boa constrictors that had accidentally landed at London Docks.  Showing them round London pubs made such a profit that he expanded his collection to fill fifteen showman’s wagons and toured the fairs of Britain.  When animals died he often had them stuffed, arguing that poking a dead animal was an even better experience than seeing a live one.

He was repeatedly invited to show his animals to Queen Victoria’s court.  After one visit he declined a gift from Prince Albert saying, “What can you give a man who has everything?”  On his next visit the Prince Consort presented him with something he hadn’t got, an oak coffin, which he promptly added to his exhibition at an additional admission charge.

There are other animals among the wealth of monuments at Highgate.  A horse with its head bowed adorns the grave of John Atcheler (d 1853), horse-slaughterer to Queen Victoria.  The other named animal that is commemorated on a Highgate tomb is the bull mastiff Lion, who belonged to Tom Sayers (d 1865), the bare-fist boxer.  Lion had been in effect the chief mourner at Sayers’ funeral, sitting alone in the leading carriage wearing a black crêpe collar.  Chris Brooks wrote an interesting account of Tom Sayers’ funeral, which drew larger crowds than the Duke of Wellington’s, in Burying Tom Sayers:  heroism, class and the Victorian cemetery (Victorian Society reprint from Victorian Society Annual 1989).

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Paddle-steamer for sale

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PS Lincoln Castle, beached at Hessle (1984)

PS Lincoln Castle, beached at Hessle (1984)

Two of the three of the pre-war paddle-steamers built for the London & North Eastern Railway’s Humber ferry have survived:  the fate of the third, Lincoln Castle, is a particularly sad story.

The first two, Wingfield Castle and Tattershall Castle (both built in 1934), each have safe harbours.  Wingfield Castle is moored at Jackson Dock as part of the Museum of Hartlepool [http://www.thisishartlepool.co.uk/attractions/wingfieldcastle.asp]; Tattershall Castle, though structurally altered, continues to earn her living as a pub-restaurant moored on the Thames Embankment in central London.

Lincoln Castle, however, has had a more chequered career.  Intended as a development of the two 1934 vessels, she was built by A & J Inglis on the Clyde in 1940.  The Heritage Trail website [http://www.theheritagetrail.co.uk/maritime/lincoln%20castle.htm] tells of the difficulty of moving her from the Clyde to the Humber under the twin threats of bombardment and U-boat operations to begin work in 1941.

The last coal-fired paddle-steamer in regular public service, Lincoln Castle was withdrawn from service in 1978 when the boilers were no longer safe.  She was beached at Hessle in the shadow of the Humber Bridge where she served as a pub from 1981 to 1987.  Then she was towed across the river to Immingham, refitted and taken, not without difficulty, to Grimsby’s Alexandra Dock where she opened as a pub-restaurant in 1989 alongside the Fishing Heritage Centre building and the trawler Ross Tiger [see http://www.nelincs.gov.uk/art-culture-and-leisure/museums-and-galleries/fishing-heritage-centre and http://www.independent.co.uk/travel/uk/days-out-gone-fishing-in-grimsby-642392.html].

The Lincoln Castle pub closed in 2006 for renovations and because of concerns about the condition of the hull she was beached in a corner of the dock.  In 2010 she was put up for sale, with the threat that without a buyer she would have to be broken up. Between them, private sponsors, the North East Lincolnshire Council and the Paddle Steamer Preservation Society [http://www.heritagesteamers.co.uk/index.html] were unable to find a practical solution to the difficulty of preserving a significant example of British maritime history that needed a great deal of expensive work simply to keep her afloat.

The future of the Lincoln Castle rested on a knife-edge:  http://homepage.ntlworld.com/m.gaytor1/index.html, http://www.paddleducks.co.uk/smf/index.php?topic=2214.0, and
http://paddlesteamers.awardspace.com/LincolnCastle.htm.

In the end it was dismantled, and some of the parts rescued for possible reconstruction:  http://web.archive.org/web/20110707201606/http://paddlesteamers.awardspace.com/LincolnCastle.htm.

Images of the Lincoln Castle and her sister ships can be found at http://homepage.ntlworld.com/david.enefer/newholland/newhollandferries.htm.

Exporting pointed architecture

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St Paul's Cathedral, Melbourne, Australia

St Paul’s Cathedral, Melbourne, Australia

If asked to make a list of what the British Empire exported to the colonies – tangible and intangible items – it’s unlikely that most people would, unprompted, include churches with pointed arches, towers and spires.

Wander around any city in a former British colony and it’s more than likely you’ll encounter a Gothic cathedral.  On my travels I’ve found examples in Hong Kong, Singapore and every Australian city I visited.  In fact, each of the major Australian cities – Perth, Adelaide, Melbourne, Sydney, Brisbane and Hobart – has not one but two cathedrals, one each for Anglicans and Roman Catholics.

Stepping inside these churches, even in tropical heat, immediately evokes Englishness, whether the denomination is Anglican or Roman Catholic.  The moment you set foot in the particularly splendid Anglican St Paul’s Cathedral, Melbourne [http://www.stpaulscathedral.org.au], its stripey polychrome stonework is immediately recognisable as the work of William Butterfield, an English architect who never actually saw the place.

I’m intrigued by the way English ideas of architecture and worship were exported virtually intact to the other side of the world.  Several major Victorian architects had a hand in Australian cathedrals:  William Butterfield provided plans for the Anglican cathedrals in Adelaide and Melbourne, and fell out with the sponsors of both;  George Frederick Bodley designed St David’s Cathedral, Hobart;  at the end of his life, John Loughborough Pearson, builder of Truro Cathedral, designed the Anglican cathedral in Brisbane, though actual construction was overseen by his son, Frank.

Most other Australian cathedrals were designed by English immigrants:  Edmund Blacket (St Andrew’s Cathedral, Perth) was born in Southwark;  Benjamin Backhouse (who built St Stephen’s, Brisbane alongside a chapel by A W N Pugin) was born in Ipswich.  William Wardell, designer of two magnificent Roman Catholic cathedrals (Melbourne and Sydney) was British, a friend of A W N Pugin.

I want to know more about the men and women who envisioned, conceived, constructed and paid for these resolutely European places of worship in places that had hardly seen masonry until their lifetimes.

Mike Higginbottom’s lecture Gothic Down Under:  English architecture in the Antipodes explores the influence of British architects, and British-trained architects, on the design of churches and other buildings in the emerging communities of Australia and New Zealand.  For details, please click here.

 

Derwent Valley Mills World Heritage Site

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North Street, Belper

North Street, Belper

I spent part of my teenage years in the Derbyshire Derwent Valley, at a time when its industrial heritage was largely intact but about to disappear.  On my way to school I watched most of Jedediah Strutt’s late-eighteenth century mills knocked down;  I rode my bike the length of canal from Butterley Tunnel (now buried under the A.38 trunk road), past Bull Bridge Aqueduct (blown up for road-widening) and through Hag Tunnel (vanished between a dyeworks reservoir and a gas-treatment plant) all the way to Cromford;  I climbed George Stephenson’s ‘Steep’ inclined railway (largely destroyed by the same gas plant).  I watched the Blue Pullman go past as I delivered newspapers in the final years that expresses ran between Derby and Manchester via Miller’s Dale and Doveholes.

It was because so much of this internationally significant industrial heritage was disappearing, threatened or simply not understood that from the start of the 1970s local people and academics began campaign after campaign to safeguard the mills and industrial housing of Cromford, Belper, Milford and Darley Abbey.  The local authorities safeguarded the routes of the Cromford Canal and the Cromford & High Peak Railway, and volunteers helped to bring back to life the Leawood Pump and the Middleton Top Winding Engine.  Preserved railways have restored trains to surviving stretches of trackbed.  The National Tramway Museum thrives in a limestone quarry first developed by George Stephenson.  Sir Richard Arkwright’s Masson Mill is now a shopping centre;  his home at Willersley Castle is now a hotel.

This upsurge of interest, energy and enterprise was rooted in a vibrant collaboration between local people, industrial archaeologists and historians, enlightened local politicians, industrial leaders and leading public figures such as the late and present Dukes of Devonshire.  The nomination of the valley as a World Heritage Site in 2001 set the seal on these efforts and promised to attract visitors and relieve pressure on Britain’s first national park, the Peak District.

Yet there is so much yet to develop.  Many of the historic mills and empty or underused.  There is no coherent transport plan to allow tourists to get about the valley without cars.  The area lacks the coherent signage that makes the multiplicity of sites around Ironbridge coherent and navigable.

The language of the World Heritage News bulletin [www.derwentvalleymills.org] makes me wonder, though.  A masterplan is working to “develop the strategic vision” in Derby and Belper, and to define “how specific projects will be delivered”.  A feasibility study looks at “viable usage options” for the Darley Abbey Mills, which involves “access and public realm issues to consider”.  A river bus is proposed, and “completion of the masterplan will play a part in how this project moves forward.”

I wonder, do we actually need this plethora of plans?  Is the slow progress in developing the site the result of a lack of planning since the 1970s?  Or is it because the administrative mills grind slowly?

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Arkwright’s Mill, Cromford

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Arkwright's Mill, Cromford

Arkwright’s Mill, Cromford

We used Cromford Mill as a lunch-stop on the recent Waterways & Railways across the Derbyshire Peak tour.  The Cromford Canal starts – for significant historical reasons – alongside the mills, and it was the most logical location for a lunch break between exploring the canal in the morning and moving on to its dizzy adjunct, the Cromford & High Peak Railway, in the afternoon.

It also gave the group members a brief opportunity to experience one of the most remarkable conservation projects in a remarkable area, the Derwent Valley Mills World Heritage Site.

Turn up as a tourist, and Arkwright’s Mill [https://www.cromfordmills.org.uk] provides an excellent café, numerous shopping opportunities and a world-class historic site that will be better interpreted when the new £2.5 million interpretation centre is finished.

Here is one of the “cradles of the Industrial Revolution”, where Richard Arkwright, as he then was, came in 1771 looking for sufficient water-power to drive his newly-patented spinning frame, which eventually took its place as one of the inventions that transformed the British textile industry.  It wasn’t exactly the first water-powered factory in the world – the Derby Silk Mill started work in 1704 – but Arkwright’s mills at Cromford, and the community that grew around this remote spot, pioneered the development of cotton and woollen towns across Britain and the world.

Further down the Derwent valley Arkwright’s associates built the mills at Belper, Milford and Darley Abbey;  Arkwright himself extended his operations to Wirksworth, Bakewell and into Lancashire and Scotland.  Robert Owen’s New Lanark, Titus Salt’s Saltaire are in direct line of descent.  There is a version of Cromford at Ratingen in Germany, and another at Pawtucket, Rhode Island, which was started by a Strutt apprentice from Belper called Samuel Slater (otherwise “Slater the Traitor”).

When I first knew Cromford well, helping out at the bicentennial Arkwright Festival in 1971, the cotton mills were a workaday, heavily polluted colour works, nobody visited Cromford except for occasional industrial archaeologists and, less than a decade before, Matlock Rural District Council had firm plans to demolish much of North Street (1776), one of the very first examples of planned industrial housing in the world.

That so much has been achieved to transform Cromford into an internationally significant tourist site is largely the work of the Arkwright Society, led for many years by Dr Chris Charlton, and still working hard to develop further one of the most fascinating stretches of historical clandscape in Britain.

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Buxworth or Bugsworth?

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Buxworth Basin, Peak Forest Canal

Buxworth Basin, Peak Forest Canal

The little village of Buxworth, just to the north of Whaley Bridge in Derbyshire, is a highly significant historic site.  Here the wagons of the Peak Forest Tramroad, which was completed in 1800 and still in use after the First World War, tipped their limestone into kilns and narrow boats for transportation down the Peak Forest Canal to Manchester and beyond.

The tramroad is an example of the principle that “if it works, don’t fix it”:  it used flanged rails rather than flanged wheels, with loaded wagons descending by gravity and empties returned by horse-power, and a braking system that consisted of sticking a metal pole into the spokes of the wheels.  When the iron rails wore out in the 1860s, the railway company that owned it simply fabricated new steel rails to an eighteenth-century design.

The tramroad was ripped up in the 1920s, though the stone blocks that supported the rails are still found in great numbers.  The canal went out of use, leaked and silted up, so that when I first went to Buxworth in the early 1970s the basin was a barely recognisable jungle.

The proposal to build a Whaley Bridge and Buxworth by-pass would have ploughed straight through the middle of it, until the Inland Waterways Protection Society [IWPS – http://www.brocross.com/iwps] successfully argued for it to be designated an Ancient Monument in 1977 and the by-pass alignment was moved to the south where it was eventually built.

The basin is intact and now beautifully preserved, entirely because the volunteers of the IWPS contributed time, physical labour and expertise, and begged, borrowed and salvaged materials to reveal and restore the complex, intriguing layout of a location that was a busy, dirty, money-making industrial site until a little more than a hundred years ago.

Now it offers peaceful, attractive moorings for canal boats, and on the day the Manager of the site, Ian Edgar, took my Waterways & Railways across the Derbyshire Peak group round, schoolkids were learning to canoe in one of the basins.

At the head of the basin is the Navigation Inn [http://www.navigationinn.co.uk/index.php?option=home], once run by Pat Phoenix, the actress who played Elsie Tanner in Coronation Street, and now operated by Jan & Roger, who provide excellent beer and anything from a fried breakfast to an à la carte meal in congenial pub surroundings.  Jan tells me that she’s rearranging the canal memorabilia that came with the pub, so that you can read the walls coherently, one room after another.

Buxworth Basin is well worth a look, and if you talk to Ian Edgar, call it Bugsworth, as they did in the eighteenth century.  If you talk to your sat-nav, it’s Buxworth.

Out of the strong came forth sweetness

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Markfield Beam Engine House, Tottenham

Markfield Beam Engine House, Tottenham

What could you possibly do with a redundant sewage works in the middle of north London?  The surroundings of the Markfield Beam Engine House [http://www.mbeam.org], which we’re visiting on the tour Cemeteries & Sanitation:  the Victorian pursuit of cleanliness (June 18th-24th 2015), show how to make an amenity out of the most unpromising situation.

Tottenham, formerly a genteel, salubrious, semi-rural place, suddenly expanded with the arrival of the railway to Liverpool Street in 1872.  The fields disappeared under housing, and with them the estate of Markfield House.

To deal with the inevitable problem of sewage disposal, the Markfield Engine was set to work in 1888.  It’s an elegant machine, free-standing rather than house-built, its superstructure supported by formal Doric columns.

Its surroundings were anything but elegant:  alongside the settlement tanks and filter beds was a slaughterhouse and a pig-farm.  This was the location of the famous “Tottenham pudding”, a wartime recycling project that transformed kitchen waste into pig food, and gained the approval of Queen Mary.

The site pumped sewage until 1964, when the local sewerage system was rearranged and the land transferred to the London Borough of Haringey.  The Borough took the enlightened decision to mothball the beam engine, bricking up the windows to protect it from vandalism.

In recent years, with the help of the Heritage Lottery Fund and others, the Borough turned the area into a pleasant facility that you’d never guess had been a sewage works, and the restored engine was steamed in September 2009.

The heavy concrete of the settlement tanks and filter beds has been adapted as gardens and a BMX park.  The engine-house is now fully restored and volunteers run the engine half a dozen times a year.  The whole project has cost £3.8 million.  There is an attractive history of Markfield Park at http://www.markfieldpark.org.uk.

It’s a modest, understated place, where mums bring kids in pushchairs and youths play football and ride their bikes.  The nearest you see to sewage now is dog-owners with plastic bags over their hands.

For details of Mike Higginbottom’s lecture Temples of Sanitation, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Great Engines

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Kempton Great Engines

Kempton Great Engines

Of all the places that might be described as a “cathedral of steam”, the 1928 engine-house at Kempton, Middlesex, has a stronger claim than most.

When you walk up a flight of steps to the entrance and through the front door, you’re on a level halfway up the height of two magnificent pumping engines, 62 feet high, which lifted Thames river water on its way to supply much of North London .  These two giants are, in domestic terms, five storeys high, and climbing to the very top is a vertiginous experience.

When they were completed in 1929 they represented almost the ultimate in steam-engine design, gloriously over-engineered so that, if necessary, they could pump 24/7.  The space between the two triple-expansion engines was intended for a third, but in 1933 two much more compact water-turbine units were installed instead.  In a sense, that six-year period marks the point when technology moved on past the age of steam.

These huge machines were the last of their type when they ceased operating in 1980.  Electric pumps, delivering slightly less water with a tenth of the staff, took over.  In 1995 the Kempton Great Engines Trust [http://www.kemptonsteam.org] began to restore them with the support of Thames Water, and seven years later the northern engine Sir William Prescott was back in steam.  The southern engine remains cold, and enables tour-groups to inspect its working in detail while observing the twin in motion across the building.

It’s a sight not to be missed. The earth moves.

For details of Mike Higginbottom’s lecture Temples of Sanitation, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Where Florrie Forde spent her holidays

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Florrie Forde's cottage, Niarbyl, Isle of Man

Florrie Forde’s cottage, Niarbyl, Isle of Man

On the pretext of fish soup at the excellent café at Niarbyl http://www.isleofman.com/business/n/niarbyl-cafe/, on the west coast of the island, my Isle of Man host-with-the-most John insisted we walk down from the café to the beach to see the point where North America joins on to Africa (see http://www.manxgeology.com/dalbygrp.html) and Florrie Forde’s cottage.

I tried to sound as if I knew at least something about Florrie Forde, but in fact I had to consult the wisdom of Wikipedia to discover that she was one of the most interesting – and now too much forgotten – figures of British entertainment in its transition from music-hall to variety.

Born in the Melbourne suburb of Fitzroy in 1875, she ran away to the Sydney music-hall at the age of sixteen, and five years later came to Britain where she started her music-hall career, thrice nightly, on August Bank Holiday 1897, began her recording career in 1903, and appeared in the first Royal Command Variety performance in 1912.

What attracted my particular interest was the list of her “hits”:  these are the songs my grandmother sang as she did her housework – ‘Down at the Old Bull & Bush’, ‘She’s a lassie from Lancashire’, ‘Pack up your troubles in your old kit bag’.  One of the most poignant songs in Joan Littlewood’s Oh! What a Lovely War is ‘Goodbye-ee’, originally made famous by Florrie Forde.  Most people would link the Blackpool organist Reginald Dixon with ‘I do like to be beside the seaside’, but it was Florrie’s tune first.

And this towering figure in British entertainment, whose summer season for much of the 1930s was in Morecambe, apparently sailed across the Irish Sea on the Steam Packet, and must have used a motor-car to reach this remote spot, virtually beyond even Manx bus-routes, to gaze across the sea at sunset.

She died on tour, entertaining the troops in Aberdeen, on April 18th 1940.

Florrie Forde’s cottage is strictly private property.  When visiting Niarbyl, please do not disturb the owners.

The 72-page, A4 handbook for the 2014 Manx Heritage tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.