Monthly Archives: January 2014

Regent’s Canal

Camden Lock, Regent's Canal, London

Camden Lock, Regent’s Canal, London

enjoy themselves in the industrial-picturesque surroundings of the Regent’s Canal, within a short bus- or tube-ride of central London.

On my last visit I spent an unseasonably warm spring lunchtime with my mate Ants at Camden Lock, eating and drinking and gazing across the water outside the Ice Wharf http://www.jdwetherspoon.co.uk/home/pubs/the-ice-wharf.

There’s much more to the scene than meets the eye.

The Regent’s Canal was originally the early nineteenth-century version of the M25, built by a consortium that included the canny architect John Nash (1752-1835), who had the ear of the Prince Regent, later King George IV, and who made the most of his royal patronage to devise a master plan for a swathe of central London that runs from St James’s Park via Regent Street to Regent’s Park.

The practical purpose of the canal was to link the Grand Junction Canal at Paddington Basin with the London docks at Limehouse.  It was begun in 1812, completed as far east as Camden Town by 1816 and fully opened in 1820.

In fact, most of its traffic came from the docks:  it was more used as an artery to deliver freight around north London than to convey traffic to the Midlands canals.

Boats floating through Regent’s Park were an embellishment rather than intrusion:  indeed, repeated attempts to turn the canal into a railway through the nineteenth century invariably came to grief.

In between the First and Second World Wars, the Regent’s Canal amalgamated with connecting waterways through the Midlands as the Grand Union Canal, a brave and partially successful attempt to revive water transport as a bulk carrier.

Since 1945, commercial traffic has given place to pleasure cruising, encouraged by recognition of the amenity value of canalside homes and leisure facilities, and the growth of some of the finest market-shopping opportunities in the capital.

Latterly, it has proved invaluable for an entirely different purpose:  since 1979 trunk cables have carried electricity at 400KV, cooled by canal water, buried beneath the towpath.

John Nash and his chief engineer, James Morgan, would be astonished.

 

Great Great Britain

SS Great Britain, Bristol

SS Great Britain, Bristol

Isambard Kingdom Brunel’s steamship Great Britain carries an immense cargo of stories.

Brunel remarked to the directors planning to build the Great Western Railway, “Why not make it [the GWR] longer and have a steamboat to go from Bristol to New York and call it the Great Western?”

The Great Western duly made its maiden voyage to New York in 1838, by which time the Great Western Railway reached out from London only as far as Maidenhead.

The Great Britain was his second steamship – the first iron-hulled, propeller-driven transatlantic steamship, at the time of her launch the largest ship in the world, the first ship ever to be photographed (by William Henry Fox Talbot in 1844).

She was floated for the first time on July 19th 1843, and ultimately returned to rest in the purpose-built dry dock in which she was constructed on July 19th 1970.  The launch was observed by the Prince Consort, and the return to Bristol by Prince Philip, the consort of the reigning Queen Elizabeth II.

During her active life she served as a troop ship during the Indian Mutiny and the Crimean War, and carried the first England cricket team ever to visit Australia in 1861 – an event that produced the first sponsored sporting tournament, the first cricket test match, and the first hat trick.

Her career had more than its fair share of cock-ups.  Brunel, the great risk-taker, repeatedly modified the design during construction – changing from a wooden to an iron hull, extending the dimensions five times and scrapping the half-completed engine and building a new one in order to switch from paddle- to screw-propulsion.

The completed vessel stuck in the lock on departure from Bristol, ran aground in Ireland because of navigational errors, and went through repeated modifications to the engines, propeller and auxiliary rigging.  Eventually, SS Great Britain gained a reputation for reliability shipping migrants from England to Australia.

She ended up as a sailing collier, and finally acted as a floating coal-bunker in the Falkland Islands, where she was eventually beached at Sparrow Cove.

Her rescue, promoted against huge odds by a group led by Richard Goold-Adams and Ewan Corlett and largely financed by Sir Jack Hayward and Sir Paul Getty, is itself one of the great stories of the sea, and her return to Bristol, sailing under Brunel’s Clifton Suspension Bridge, one of the memorable moments of many people’s lifetimes.

Though she arrived in Bristol as a rusting hulk, she is now vividly restored.  Wandering among her elegant saloons and cramped cabins brings to life the life-changing experiences of Victorian voyagers.  The only omission, fortunately, is that she doesn’t make anyone seasick.

Nevertheless, I noticed how one particular mannequin, a sad lady in black, sat alone in the dining saloon, repeatedly attracted the sympathetic curiosity of young children.  Her silence and their attention says all that’s needed about the cost of emigration – and the power of imaginative curating.

Read the story at http://www.ssgreatbritain.org/story.

The 72-page, A4 handbook for the 2012 Waterways and Railways between Thames and Severn tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here. To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Footprints on the phantom dance-floor

Former Lewis's department store, Piccadilly Gardens, Manchester (2009)

Former Lewis’s department store, Piccadilly Gardens, Manchester (2009)

It amuses me when highly respectable historical and amenity societies report the activities of urban explorers.

Those risk-taking, law-bending, under-the-wire investigators of derelict and inaccessible structures are distinguished by their principles – “take nothing but photographs;  leave nothing but footprints” – and the quality of their photography.

They must be a great annoyance to property-owners who would prefer their empty and neglected spaces to remain unvisited and to become forgotten.

For conservationists and architectural historians, however, it’s very useful to have assiduous and athletic enthusiasts reporting on the web the current condition of endangered sites of heritage importance.

I repeatedly visit Manchester, and yet hadn’t given a second glance to the Primark store in Piccadilly.  It was originally Lewis’s, described by Clare Hartwell in the Pevsner Architectural Guide, Manchester, as “a huge untidy Baroque pile” built by J W Beaumont & Sons in 1915 and extended by the same architects in 1929.

Clare Hartwell says it was the biggest department store in the provinces when it was built.  Lewis’s stores aspired to bring the splendour of London department stores to the major provincial cities [see Losing a Liverpool legend:  Lewis’s department store].

The Primark chain only uses the lower floors of the Manchester building, and above the snowline lies a sleeping treasure – Lewis’s ballroom:  http://www.28dayslater.co.uk/forums/showthread.php?t=68769.

 

Honest John’s memorial

Unitarian Church, Todmorden, West Yorkshire

Unitarian Church, Todmorden, West Yorkshire

Todmorden Unitarian Church (1864-9) is a highly unusual piece of nonconformist architecture, designed and built as a splendid recreation of a fourteenth-century Gothic church, with a spire 192 feet high and internal arrangements which – but for the absence of an altar – are largely Anglican in layout and design.

It has an elaborate font and pulpit, a William Hill organ originally powered by a water-powered air pump, and very fine stained glass by the Belgian designer, Jean-Baptiste Capronnier.  The tower contains a clock, carillon and a ring of eight bells hung for change-ringing.  The final cost amounted to £35,000, almost six times the initial estimate.

It was paid for by the Fielden brothers, Samuel, Joshua and John, as a memorial to their father, “Honest John” Fielden (1784-1849) by John Gibson, who also built Todmorden Town Hall and John Jnr’s residence, Dobroyd Castle, overlooking the town and the Unitarian Church.

John Gibson (1814–1892) is an under-rated architect, otherwise best known for his “Marble Church”, St Margaret’s, Bodelwyddan, in Denbighshire.

William Gaskell, the widower of the novelist Elizabeth Gaskell and the respected minister of Cross Street Chapel in Manchester gave the address in the inaugural service.  He suggested that it was entirely proper to enlist art to serve religious observance – if it was done sincerely.

The Fieldens transferred ownership to a trust in 1882, and inevitably over the years the available income became increasingly unequal to the costs of maintaining the structure.

After a centenary refurbishment, the building became increasingly impractical, and in 1987 the diminished congregation moved down to the lodge at the bottom of the drive.  The decaying and increasingly vandalised Grade I listed church was taken over by the Historic Chapels Trust in 1994 and is now cared for by local volunteers:  http://todunitarianchurch.caldercats.com/index.html.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

The 80-page, A4 handbook for the 2012 Yorkshire Mills & Mill Towns tour, with text, photographs and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here.  Please send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Honest John and his sons

Dobroyd Castle, West Yorkshire (2007)

Dobroyd Castle, West Yorkshire (2007)

The Pennine border-town of Todmorden is founded on the acumen and discipline of the Fielden family, and particularly “Honest John” Fielden (1784-1849).  The son of a clothier, he built up the Fielden Brothers’ cotton-spinning business and pursued an energetic political career as MP for Oldham alongside William Cobbett.  As a successful millowner, he argued a powerful case for an eight-hour day, saying that shorter working days would equally benefit factory-owners and workers by restricting production and thereby increasing prices and wages.

He also founded the first Unitarian church in Todmorden, and served as its Sunday School superintendent, exerting a “severe and wholesome discipline”.

He handed on the business, first to his brother Thomas (1790-1869), and then to his three sons, Samuel (1816-1889), John (1822-1893) and Joshua Fielden (1827-1887).

Fielden Brothers became an extremely powerful business, employing at its peak two thousand workers with, in addition to the Todmorden mills, trading offices in Manchester, Liverpool, London and New York.  In the period 1850-65 it generated net profits of around £1.2 million.  During the cotton famine of 1861-5, Fieldens paid half wages to their unemployed workers for road-building and other public works.

Of the three, Joshua was the most prominent.  He became a Conservative MP, retired from the business in 1869 and bought Nutfield Park, Surrey.  There and on his yacht, Zingara, he lived an opulent lifestyle, particularly after giving up his parliamentary seat in 1880.  He died at Cannes, and was brought back to Todmorden for burial:  despite his expensive tastes he left an estate of half a million pounds.

John Jnr lived a quite different lifestyle.  He chose as his wife a mill-girl called Ruth, for whom he built Dobroyd Castle, designed by John Gibson and completed in 1869 at a cost of £71,589.  This sombre, domineering pile on a hill high above the town remained in family ownership until 1942, when it became a Home Office approved school for boys and later an independent boarding school for boys with emotional and behavioural difficulties.

In 1995 it was purchased for £320,000 by the New Kadampa Buddhist Tradition and opened as the Losang Dragpa Centre for meditational retreats.  The Buddhists peremptorily moved out in August 2007, and the Castle reopened as an outdoor pursuits centre, operated by Robinwood Activity Centres [http://www.robinwood.co.uk/activitycentres/dobroydcastle], in March 2009.

Dobroyd Castle is not open to the public.

The 80-page, A4 handbook for the 2012 Yorkshire Mills & Mill Towns tour, with text, photographs and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here.  Please send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Border town

Town Hall, Todmorden, West Yorkshire

Town Hall, Todmorden, West Yorkshire

Todmorden is essentially a border town.  The River Calder was the historic border between Yorkshire and Lancashire until 1888, since when the town has been in the West Riding and latterly West Yorkshire.

It’s not a big place, and its centre is dominated by the grandiose Town Hall financed by the three cotton-spinning Fielden brothers, Samuel, Joshua and John, and designed by their favourite architect John Gibson as a magnificent Roman temple on the lines of Birmingham Town Hall and St George’s Hall, Bradford.  It cost of £54,000.

The pediment of the south façade contains two carved female figures, the left-hand, western one symbolising cotton-spinning Lancashire, while the other represents the agriculture and engineering of Yorkshire.

The Town Hall actually straddles the River Calder which runs in a culvert underneath.  Before the boundary-change of 1888 it was possible to dance in the main hall from one county to the other and back again.

The 80-page, A4 handbook for the 2012 Yorkshire Mills & Mill Towns tour, with text, photographs and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here.  Please send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Premiere picture palace

Embassy Theatre, Wellington, New Zealand

Embassy Theatre, Wellington, New Zealand

When I visited the Wellington Decorative & Fine Arts Society to present my Fun Palaces lecture in February 2011 my host, David Carson-Parker, showed me the Embassy Theatre, a restoration-project in which he had been involved.

The Embassy was originally and appropriately called the “De Luxe”.  It was designed by the New Zealand architect Llewellyn E Williams (1884-1967) for the theatre entrepreneur William Robert Kemball (1881-1969), and opened on October 31st 1924.

It was and is a notably distinguished building on a corner site facing Courtenay Place, four storeys high with an impressive classical frontage.  The grand tiled foyer and staircase remains:  originally the auditorium consisted of stalls and a generous balcony.  The stage was suitable for live performances and there was an orchestra pit, which was later used to house the console of a Wurlitzer organ and is now the second screen, the aptly-named Cinema Deluxe.

The De Luxe passed to another New Zealand cinema magnate, Robert Kerridge, who renamed it the Embassy.

In 1960 it was equipped with a wide screen for 70mm projection, and in the 1970s the auditorium was converted to a single rake by building out from the balcony front, so that the stalls space could be used for other purposes.

A 1991 project to convert it as a home for the Royal New Zealand Ballet came to nothing, and there was a risk that the Embassy would be lost.

To resist this possibility the Embassy Theatre Trust was formed in 1995.  In conjunction with the Wellington City Council, the Trust bought the building in 1997 and restored it to greater glory.

It re-opened in time to host the world premiere of Peter Jackson’s The Return of the King (2003), the final part of his Lord of the Rings trilogy.  As such, it now holds a place in the history of New Zealand film, and well as New Zealand cinema.

When David showed me round on a quiet summer Sunday morning, my first reaction was – what a splendid place to have coffee and read the Sunday papers.  You can eat and drink at Blondini’s Café & Bar, and indeed take your refreshments into the auditorium, which consists of the original balcony and a few additional rows beyond the balcony front.

The refurbished auditorium has all the comforts and amenity that contemporary filmgoers expect.  Behind the modern screen, however, the original proscenium and ante-proscenium remain in faded pale blue, grey, pink and gold.

David tells me there’s a scheme to make this original decoration visible from the auditorium.

When we showed images of it to the Wellington DFAS audience, people were astonished to discover that it still existed, and delighted to find that there’s more to the Embassy than meets the eye.

There is a detailed description of the Embassy Theatre at http://www.historic.org.nz/TheRegister/RegisterSearch/RegisterResults.aspx?RID=7500&m=advanced.  If you need to know what’s on at the moment, the website is at http://www.eventcinemas.co.nz/cinemas/the-embassy.aspx.

 

Cultural capital of cool

St James Theatre, Wellington, New Zealand

St James Theatre, Wellington, New Zealand

Wellington, the largest city in New Zealand’s North Island, came close to losing its most attractive and comfortable theatres in the 1970s and 1980s. 

Now the Opera House, the St James and the Embassy provide a thriving cultural repertoire which enriches the city centre.

The city is currently marketed as the “capital of cool”, but it might easily have been left out in the cultural cold.

I was given privileged access to the St James Theatre, known in the entertainment industry as “Jimmy’s”, thanks to the manager, Bob Foot, and my Wellington host, David Carson-Parker.

Its initial claim to fame is that it was the first steel-framed, reinforced concrete theatre in the world when it was constructed in 1912 to the designs of Henry Eli White (1876-1952), a prolific New Zealand theatre architect, for the impresario John Fuller, who had operated an earlier theatre on the site.

Its ornate auditorium is embellished with plasterwork by William Leslie Morrison, who used his grandson as a model for the cherubs.  (I wonder what angst the lad suffered when he grew into his teens and went with his mates to see shows at the St James.)

The St James Theatre closed in 1987 and became the focus of a furious conservation row between a developer, the Chase Corporation, and local campaigners, with Wellington City Council in the midst.

Eventually in 1993 the city council bought it and restored it as a venue for the New Zealand International Arts Festival and a home for the Royal New Zealand Ballet, extending into the adjacent property to provide a café and bar, “The Jimmy”.

If Wikipedia is to be believed [http://en.wikipedia.org/wiki/St._James_Theatre,_Wellington] the St James hosts a wonderful company of ghosts – a Russian performer called Yuri, a wailing woman and wheezing Stan Andrews.

None of these were in evidence when Bob, David and I toured the building from top to bottom on a sunny summer morning.

They couldn’t show me the auditorium of the rival theatre across the road, the Opera House (William Pitt, 1911), because a lighting rehearsal was in progress, so I have to return when I’m next passing by.

The St James Theatre and the Opera House, long-time rivals, are now under co-ordinated management, operated by Positively Wellington Venues:  http://pwv.co.nz/our-venues/st-james-theatre.  To see what’s on, go to http://www.stjames.co.nz.

 

Canal mania

Caen Hill Locks, Kennet & Avon Canal, Wiltshire

Caen Hill Locks, Kennet & Avon Canal, Wiltshire

The excitements of the dotcom bubble and the speculation that led to the sub-prime mortgage crisis seem leisurely compared with the sheer farce of the Canal Mania of the early 1790s.

The financial success of the early canals, which sometimes halved the price of coal and other commodities in inland towns, caused a headlong rush to promote waterways across Britain from anywhere to everywhere.

Optimistic investors literally fought to put their names on subscription lists for waterways which in most cases had little chance of a practical future.

In the West Country serious promoters took to keeping their subscribers’ meetings secret to avoid attracting frivolous speculators.

On one occasion, according to Kenneth R Clew, historian of the Kennet & Avon Canal, an advertisement appeared in the Salisbury Journal for a promoters’ meeting in Devizes without indicating a precise venue.

On the day the town became overcrowded with increasingly irritable potential investors looking for a meeting that nobody had organised.  Eventually the town clerk was persuaded to chair an ad hoc assembly but “no business of any consequence could be done, and the meeting could only be a tumultuous assembly called together without any knowledge for what purpose, no person appearing to take an active part in it”.

The only people who profited from this farce were the publicans of Devizes.  A bed for the night cost a guinea, whereas a post-chaise back to Bristol was ten guineas.

The Kennet & Avon Canal was eventually built through Devizes:  it opened in 1812 and after years of neglect is once again navigable.

Just outside Devizes the canal climbs through a series of 29 locks – sixteen of them in a magnificent single flight at Caen Hill.

The 72-page, A4 handbook for the 2012 Waterways and Railways between Thames and Severn tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here. To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Grand Central

Grand Central Terminal & Pan-Am Building, New York City (1981)

Grand Central Terminal & Pan-Am Building, New York City (1981)

The very heart of Manhattan’s 42nd Street is Grand Central Terminal, New York’s principal monument to the age of the railroad, which celebrated its centenary in 2014:  http://www.mta.info/gct/facts.html..

Many New Yorkers have never forgiven the destruction of the other great terminus, Penn Station, McKim, Mead, and White’s triumphant pink granite temple to transportation, built in 1910 and flattened in 1963:  http://en.wikipedia.org/wiki/File:Penn_Station1.jpg.

Grand Central was the destination of steam-hauled trains from the north, ploughing down a cutting that was covered over when electrification became practical from 1889 onwards.

Begun in 1903, the terminal was structurally completed ten years later but not fully operational until 1927.  Its concourse is 275 feet by 120 feet and 125 feet high, lit by arched windows 75 feet high.  The Guastavino roof is decorated with a painted zodiac (which is for some reason reversed) by Paul Helleu.

It has sixty-seven tracks on the two levels, a turning loop and connections to the subway, including the 42nd Street Shuttle, which takes a minute to shunt between Grand Central and Times Square.

This was the starting point for some of the great trains of the early twentieth century, the Knickerbocker to St Louis, the Ohio State Limited to Cincinnati and the Twentieth Century Limited to Chicago to which, among its many luxuries, is attributed the original red-carpet entrance.

A major conservation campaign, led by Jacqueline Kennedy Onassis, saved Grand Central from demolition in the 1970s, and in 1994-8 a $197-million renovation was undertaken by LaSalle Partners and Williams Jackson Ewing, the restorers of the superb Union Station in Washington DC.

Now it looks as good as it did in 1913 – if not better.

The quintessential Grand Central experience, other than catching a train, is to eat at the Oyster Bar [http://www.oysterbarny.com], where journalists used to take advantage of the acoustics to pick up scoops.  If that’s outside the budget, there’s plenty to eat in the food court:  http://www.grandcentralterminal.com/go/dirListing.cfm?currCat=2138210777,

To see images of parts of Grand Central Terminal that ordinary travellers don’t see, go to http://news.cnet.com/2300-11386_3-10004063.html.

To enjoy the best flashmob invasion of the Grand Central concourse go to http://www.youtube.com/watch?v=jwMj3PJDxuo.

For details of Mike Higginbottom’s lecture ‘The Big Apple:  the architecture of New York City’, please click here.