Homebaked

Scouse pie, Homebaked Bakery, Anfield, Liverpool

Photo: © Ian Stuart

Football-fixated tourists find their way to Oakfield Road, Anfield, where they discover the superb hand-made pies sold at Homebaked Bakery, in the shadow of the Liverpool FC stadium.  The fans simply call it “the Pie Shop”.

This long-established and celebrated bakery stands on the corner site of two terraced streets that not long ago were threatened with demolition.

Liverpool City Council has repeatedly and notoriously condemned solid artisan housing for redevelopment under the Housing Market Renewal Initiative (HMRI), dreamed up by John Prescott’s Office of the Deputy Prime Minister (ODPM) in 2002. 

Two particular examples, the Welsh Streets and Granby Street, both in Toxteth, aroused local people to protest against the deliberate neglect and destruction of houses that proved to be capable of economic renovation.

In Anfield, a similar HMRI began the clearance of nearly two thousand properties, intending to replace them with thirteen hundred new homes, until funding was cut and eventually the initiative was stopped by David Cameron’s coalition government in 2010, leaving the district in limbo.

Community anger and frustration about what amounted to government vandalism focussed on Mitchell’s Bakery, a long-standing family business much loved by neighbours and football fans alike.

Local people looked for a way to retain the bakery when it closed in 2011. 

2Up2Down, a creative and social initiative led by the Dutch artist Jeanne van Heeswijk, empowered members of the Anfield community to revive the bakery and establish the Homebaked Bakery Co-operative in 2012. 

The following year they created the Homebaked Community Land Trust to lease the building from the Mitchell family. 

Later, Liverpool City Council took over the freehold and leased the bakery back to the Co-operative so that they could refurbish the long-abandoned upstairs flat as social housing. 

From 2015 onwards this was extended into a larger project, Oakfield Terrace, an exciting scheme for the Trust to provide eight houses and accommodation for local businesses, driven by the intense involvement of local people in partnership with the City Council and development professionals.

All this exemplary community development is built on the pies and cakes that the bakers at Homebaked Bakery turn out daily. 

An obvious favourite is the Beef Scouse pie, billed on the menu as “the staple dish of Merseyside”.  There’s also a vegan version which must be the staple dish of vegan Merseyside.

But the star attraction is the Shankly.  Its ingredients aren’t published:  “We asked the Shankly family what his favourite dish was after a long day at Melwood, and it’s exactly what’s in our pie.”

When you eat at Homebased Bakery, or on the pavement walking to a match, you dine like football aristocracy.

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

Boar’s Head

33-35 Eastcheap, London EC3

As I propelled my unco-operative wheelie suitcase from Monument Underground Station, down Eastcheap to the Premier Inn, I noticed a peculiar Gothic Revival building on the opposite side of the road.

Indeed, I couldn’t help noticing it.  It shouted at me.

I’m indebted to two well-researched blog articles by Katie Wignall [About Look Up London Tours – London History Blogger & Blue Badge Guide] and Metro Girl [33-35 Eastcheap | This former Victorian vinegar warehouse is far from sour | Memoirs Of A Metro Girl] that showed me the depth of interest of this remarkable façade.

33-35 Eastcheap was designed by a rogue Victorian architect, Robert Lewis Roumieu (1814-1877) and built in 1868 for the Worcester-based vinegar manufacturers Hill & Evans.

Alongside the mostly serious Gothic Revival architects of the nineteenth century from A W N Pugin and George Gilbert Scott to George Frederick Bodley, the occasional “rogues”, such as Samuel Sanders Teulon and R L Roumieu, are more fun.

Architectural writers’ comments about 33-35 Eastcheap range from “remarkable and dramatic” (the English Heritage Grade II* list-description), to Nikolaus Pevsner’s “one of the maddest displays in London of gabled Gothic”, “the City’s masterpiece of polychromatic Gothic self-advertisement” (Gavin Stamp and Colin Amery) and “the scream that you wake on at the end of a nightmare” (Ian Nairn).

The riot of arcades, canopies and dormer windows is further enlivened by carved heads and animals, including the winged lion of St Mark and a boar’s head.

The boar’s head is significant, because it’s a reminder that this is the site of the medieval Boar’s Head Tavern, which William Shakespeare frequented and immortalised as the setting for the scenes between Prince Hal and Sir John Falstaff in King Henry IV, Part 1.

This connection links with two of the carved heads which represent King Henry IV and his son, King Henry V.

The inn that Shakespeare knew perished in the Great Fire of 1666, and its much-altered replacement was demolished in 1831 to make way for a widened approach to John Rennie’s new London Bridge.

Roumieu’s jazzy façade captures this history in the details of this fortissimo office and warehouse that most of us would miss.

Palimpsest of the Peak 2

Haddon Hall, Derbyshire

Haddon Hall is rightly regarded as an architectural gem, a beautiful example of a medieval fortified manor house, set in the valley of the River Wye in Derbyshire.

Like many English country houses, its present form emerged from the efforts of succeeding generations over several centuries.  It has no one architect, but a whole line of builders, and though it remained untouched through the centuries of occupation, it hasn’t come to the twenty-first century frozen in time.

It belonged to the Vernon family from before 1195 when Richard Vernon was licensed to build a twelve-foot unfortified wall around the house.  Masonry of his time survives in what is now the Eagle Tower. 

Richard Vernon’s great-great-grandson, the Crusader Sir Richard Vernon IV, significantly improved the house when he built the kitchen, great hall and now-altered solar in the cross wing that divides the two courtyards around 1370.

In the fifteenth century Sir Richard Vernon VI, his successor Sir William and his son Sir Henry, “the Treasurer” each made the place more comfortable.

Sir Henry was succeeded by his grandson Sir George Vernon, who held Haddon for fifty years from 1517.  He was the formidable personality who was known, in his lifetime, as “the King of the Peak”. 

His daughter, Dorothy, married John Manners, a son of the Earl of Rutland, and they are famed for the legend of their elopement, down a flight of steps which may or may not have been in existence at the time. 

Because Dorothy Vernon had no brothers, the couple inherited Haddon on her father’s death in 1567, and it has ever since belonged to the Manners family.

Dorothy’s husband was responsible for the Long Gallery, 110 feet long and only 17 feet wide, built around 1600, soon after the much larger, higher, colder long gallery in Bess of Hardwick’s New Hall

Sir John and Lady Dorothy Manners’ son, Sir George, undertook the reroofing of the chapel, after which no further building work took place at Haddon for nearly three hundred years, because Sir George’s son, John, who became the 8th Earl of Rutland in 1641, decided to rebuild his castle at Belvoir, and by the time the earldom was elevated to a dukedom in 1703 Haddon was simply left. 

Throughout the following two centuries, the place stood as an echoing, picturesque relic, neither inhabited nor neglected, until in 1912 the Marquis of Granby who in due course became the ninth Duke chose to restore it, with delicacy and tact, conserving its atmosphere while making it habitable for its twentieth-century owners.

A new kitchen was provided in the stable block, linked to the Hall by a discreetly-hidden underground railway;  a 50,000-gallon reservoir was constructed for water supply and fire prevention;  all necessary conveniences were installed, sometimes in unexpected places. 

Wherever possible renovations were carried out in traditional ways:  where new lead was needed it was cast from local ore with a trace of silver added;  a new hall-roof took the place of the long-lost original, and incorporates some forty tons of estate oak, each main beam cut from a three-ton timber, supporting another twenty five tons of locally-quarried stone slates. 

Much of the delight of visiting this house, quite apart from its great beauty, lies in the glimpses it offers of life in the past, details that lay dormant through recent centuries, like the manacle on the hall screen for penalising queasy drinkers, the chopping block with its gravy trough and the fully-fitted seventeenth-century kitchen. 

Yet it’s an entirely practical modern dwelling, now the home of Lord Edward Manners, brother of the current Duke of Rutland, and his family.

When I wander around Haddon Hall I hear not only lute music and madrigals, but also the Charleston played on a wind-up gramophone.

Haddon Hall is one of the houses featured in Mike Higginbottom’s lecture ‘English Country Houses – not quite what they seem’.  For further details, please click here.

St Nick’s

Parish Church of Our Lady & St Nicholas, Liverpool

When you sail into the Mersey estuary towards the city of Liverpool, the chart indicates as a landmark the distinctive tower and lantern of the Church of Our Lady & St Nicholas, still prominent alongside newer and higher structures.

“St Nick’s”, as it’s commonly known in the city, dates back to a time when the little riverside port was a remote corner of the medieval parish of Walton. 

Though there was a church on the site by c1360, and nearby an earlier church, St Mary-del-Key, dating from at least 1257, the existing building is much later. 

The tower was designed by Thomas Harrison of Chester (1811-5) after its predecessor collapsed in 1810 killing twenty-five people;  the body of the church is a post-war replacement for the burnt-out shell destroyed in the Blitz.

In 1699, the Parish of Liverpool separated from Walton, and under an unusual arrangement Our Lady & St Nicholas was paired with a new church, St Peter’s (consecrated 1704) and served by two ministers of equal status who were required to preach in each church alternately.

In 1714 the tower of Our Lady & St Nicholas was embellished with a distinctive spire that acted as a waymark for vessels on the river.  In the late eighteenth century the church was described as “ruinous” and it was rebuilt, but the medieval tower remained unaltered until its collapse in 1810.  It fell as the congregation were entering for morning service;  of the twenty-five fatalities, seventeen were girls from Moorfields Charity School.

The replacement tower was designed by Thomas Harrison of Chester (1744-1829), surmounted by “an elegant and appropriate Lantern” topped by a ship weathervane possibly retrieved from the ruins of the old tower.

St Peter’s became the Pro-Cathedral for the new Diocese of Liverpool in 1880 and was demolished in 1922, superseded by the partly-built new Anglican Cathedral.

An air raid on December 21st 1940 burnt out Our Lady & St Nicholas, and on the night of May 5th-6th 1941 a further bomb left only the outer walls, the tower and the adjacent parish centre. 

Services continued in temporary structures or in the open air throughout the war, and the new church, designed by Edward C Butler, was consecrated in 1952, a simple Gothic design in which the interior was reoriented to place the high altar at the west end.

The Maritime Memorial Chapel in the north aisle was dedicated in 1993.  It contains a statue of Our Lady of the Quay, commemorating the very first church on the site, the work of the revered Liverpool sculptor Arthur Dooley (1929-1994).

Our Lady and St Nicholas has high status in Liverpool.  Though its actual parish boundaries, embracing a population of 16,000, embrace the river-front extending to Lime Street, Liverpool ONE and the Albert Dock, it serves the wider city as Liverpool Parish Church and its minister is the Rector of Liverpool.

The present Rector, Father Crispin Pailing, is the author of God’s Town:  Liverpool and her Parish since 1207 (Palatine 2019), which traces the history of the church and its ministry through the centuries.

There can be no-one better qualified to show how the parish has adapted and responded to the community’s needs up to the present day:  Ministry/Outreach/Projects – Liverpool Parish Church (livpc.co.uk).

St Nick’s welcomes visitors and is usually open during the day.  Music is prominent in the life of the parish [Bells – Liverpool Parish Church (livpc.co.uk)] and art – inside and outside the building – is an aid to contemplation:  Music and Arts – Liverpool Parish Church (livpc.co.uk).

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

Anhalter Bahnhof

Anhalter Bahnhof ruin, Berlin, Germany

When you emerge from the Berlin S-bahn station, Anhalter Bahnhof, you’re confronted with the vestigial remains of the late nineteenth-century inter-city main-line terminus of the same name, a reminder of a different Berlin that’s largely disappeared.

The earliest railways to reach Berlin each terminated at their own station – Postdamer Bahnhof (1838) from Potsdam and the Anhalter Bahnhof (1839) from Anhalt.   These were followed by the Frankfurter Bahnhof (1842), the Stettiner Bahnhof (1842) from Stettin (now Szczecin) and the Hamburger Bahnhof (1846-47).

The Berlin rail system went through frequent and radical realignments during the nineteenth century and the original Anhalter Bahnhof was completely and magnificently rebuilt in 1876-80 to the designs of Franz Heinrich Schwechten (1841-1924) as a major terminus under an iron-and-glass trainshed, said to be the largest in continental Europe though smaller than St Pancras.

The bombastic glazed brick façade was decorated with sculptures — figures representing Night and Day by Ludwig Brunow (1843-1913) flanking the clock, and International Traffic by Emil Hundrieser (1846-1911) crowning the central pediment.

Albert Speer’s 1930s scheme for a world capital [Welthauptstadt] called Germania to celebrate the anticipated Nazi victory in the Second World War would have severed the approach tracks to the station, which Speer proposed to convert into a swimming pool.

After the Wannsee Conference of January 1942 inaugurated the Final Solution plan to exterminate Europe’s Jews, Anhalter Bahnhof, unlike the other Berlin stations that transported Jews in freight wagons, provided ordinary carriages with armed guards, attached to scheduled services, to give the impression that elderly Jews were being taken to a well-deserved retirement.  

The terminus was practically put out of action by Allied bombing in November 1943 and February 1945, and although the Allies restored services from 1946, the East Berlin authorities took a dim view of trains from East Germany arriving at a terminus in the American sector, and diverted all traffic to the Ostbahnhof in 1952.

The station stood empty and unused until 1960 when most of it was demolished.  In response to public protests the central portion of Schwechten’s façade was retained and cleaned.  Brunow’s statues were replaced by reproductions so that the originals could be shown at the German Museum of Technology built on former railway land nearby.

The footprint of the station platforms and tracks is occupied by an all-weather football pitch and a concert venue, Tempodrom.  Alongside, a vast bunker constructed as a shelter in 1943 houses the Berlin Story Museum, an exercise in dark tourism from which no-one emerges feeling cheerful, telling the story of twentieth-century Berlin warts and all:  www.dark-tourism.com/index.php/germany/15-countries/individual-chapters/230-anhalter-train-station-ruins-and-bunker.

Seldom Seen

Seldom Seen Engine House, Moss Valley, Derbyshire

The Seldom Seen Engine House is indeed seldom seen, because it lies in dense woodland off a private road along the Moss Brook valley west of the village of Eckington, Derbyshire.

Though it’s only a few yards from the road, leaf-cover makes it practically invisible except in winter.  Indeed, for most of the year it would be hard to find but for the sign provided by Derbyshire County Council Countryside Service.

The name is apt, because though the site is surrounded by villages – Eckington, Mosborough, Renishaw, Marsh Lane – it’s out of the way and frequented only by walkers.  Even to local people the place has been out of sight if not out of mind for more than a century.

It forms the sole remaining vestige of Plumbley Colliery, which operated from before 1875 until shortly before the start of the First World War, connected to the Midland Railway at Renishaw by the private “Penny Engine” railway.

The brick-built engine house is an imposing structure and sufficiently significant to be designated a Scheduled Ancient Monument.  It stands something like forty or fifty feet high, its interior empty and inaccessible.

It’s thought to have served as both a winding-engine and a pump, but there doesn’t seem to be any record of the now-vanished machinery.

Plumbley Colliery suffered repeated mining accidents, some of them fatal, but one particular tragedy stands out.

On March 16th 1895 three Eckington children, Esther Riley (9), her brother Percy Riley (8) and their friend Rebecca Godson (8 or 9), were skating on the frozen engine pond when the three-inch-thick ice broke.

Their screams brought the engineman, Alfred Williamson, aged 23, who jumped into the pond, knowing that the water was at least six feet deep, in an attempt to save the children’s lives.

Two youths, Rowland Taylor (14) and Edward Redfern (16), had heard the screams and attempted to assist Alfred Williamson with the rope he’d tied to himself and left on the bank, but he went under. 

He and the three children he tried to rescue all drowned.

Taylor and Redfern ran to Eckington Police Station to summon police officers who, accompanied by the local doctor, Dr West Jones, and various colliery managers, with great difficulty and the practical assistance of two young miners, Arthur Fairley and James Silvers, eventually retrieved the bodies.

These four unfortunate young people had no memorial until 2020, when the Natural Eckington organisation raised funds for headstones in Eckington Churchyard, and yet there’s nothing to show the site of their demise and to commemorate the heroism of those who attempted to rescue them and at great risk retrieved their bodies.

The Hole in the Road

Castle Square, Sheffield (1993)

Nineteenth-century Sheffield was a town that thought it was a village.

After Sheffield became a city in 1897 it was a city that thought it was a town.

Sheffield folk don’t take easily to the idea of grandeur.  They make things.  Predominantly Nonconformist, truculent and quietly proud of their skills and products, they look upon other Yorkshire cities as brash.

The Blitz of December 1940 flattened much of the city centre and the city planners took advice from (among others) Birmingham City Council’s City Engineer, Herbert Manzoni, himself notorious for rendering his own city unrecognisable.

Their plans saddled Sheffield with a plan for a “Civic Circle” road centred on the Town Hall, together with an Inner Ring Road and an Outer Ring Road.

One aspect of this scheme, to be picked up by Sheffield’s City Architect, Lewis Womersley, on his appointment in 1953, was that as far as possible pedestrians and motorists should move around the city centre at different levels.

Womersley’s Castle Market (1960-65) happily achieved this, taking advantage of its sloping site to provide access on three levels to shops, clear of motor vehicles at ground level.

At the traditional Market Place, however, the idea didn’t work out. 

A dual carriageway, Arundel Gate, swept across the Duke of Norfolk’s grid of Georgian streets, and came to an abrupt halt at the top of Angel Street, where a roundabout directed traffic downhill along Commercial Street towards the Parkway.

Against Womersley’s wishes, motor vehicles negotiated this tight turn at ground level, and pedestrians were pushed below ground into a dramatic space with a circular oculus open to the sky, opened in 1967.

Though the planners called this circle Castle Square, Sheffield folk obstinately labelled it the Hole in the Road

The only decorative feature was a 2,000-gallon fish-tank which became a popular meeting place, replacing Coles Corner which had lost its raison d’être after the Cole Brothers’ department store moved to Barker’s Pool in 1963.

Despite the subway-level entrances to adjacent shops and a couple of sad little stalls for buying newspapers and cigarettes, this memorable piece of townscape proved to be dead space and as the years passed it became more and more grubby and threatening.

Promotional literature for the proposed Sheffield Minitram, a driverless elevated people-mover, showed its track supported by a single pillar in the centre of the Hole in the Road as it climbed High Street.  The project was quietly dropped in 1975.

When the full-size, standard-gauge Supertram was planned, it was quickly obvious that the Hole in the Road would have to go. 

It was closed and filled in, possibly with rubble from the demolition of Hyde Park Flats, in 1994.

There’s a story that when the fish tank was emptied the only remaining fish was a piranha. I can’t vouch for it.

The generation of locals who met their date by the fish tank may regret its demise but even Lewis Womersley would probably agree that Castle Square was a dubious idea in the first place.

The story of Castle Square – the “Hole in the Road” – is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom. For details please click here.

Streets in the sky 2

Hyde Park Flats, Sheffield: demolition (1992)

Sheffield’s Park Hill development, completed in 1961, has remained popular, though the flats and maisonettes overlooking the city centre are by no means everyone’s idea of an ideal dwelling.

The bigger Hyde Park complex, prominent on a steep bluff above the Don Valley, was inevitably vertiginous and became generally unpopular.  I wonder what the Queen Mother made of the place when she opened it in 1966.

The sanguine hopes that Corbusian decks would provide an adequate replacement for the dirty, rundown streets and backyards of the industrial East End soon faded.  Working Sheffield families were glad at last to have indoor sanitation, space, light and central heating, but not at the price of high winds, isolation and loneliness. 

High-rise housing was a nightmare for families with young children, and as the children grew Hyde Park and Kelvin became bywords for vandalism and crime.   At Hyde Park in particular, furniture and – on occasions – desperate inhabitants came over the balconies:  on one occasion a falling television killed a seven-year-old girl.  At ground-level, hatched areas of tarmac indicated where falling objects were a likelihood, and entry-points to the blocks were eventually given awnings.  Police as a matter of course parked their marked vehicles away from the buildings.

Lionel Esher, in A Broken Wave: the rebuilding of England 1940-1980 (Pelican 1981), describes the context of Womersley’s work:  he concludes, “[In] Hyde Park….Womersley had overreached himself….”  

Sir Nikolaus Pevsner’s condescending assumptions, in The Buildings of England, about what used to be called “slums” eventually gained a bitter irony. 

After years of social problems and misery, the inhabitants of Hyde Park were rehoused in 1990-91 when the World Student Games adventure provided the funding and motivation for a sumptuous upgrading of two of the Hyde Park blocks. 

When the students departed, the two blocks once again housed local people, one block still administered as City Council housing, the other by a housing association. 

The biggest unit, B Block, having been cosmetically redecorated for the Games, was condemned, and its distinctive crusader-castle outline disappeared from its bleak hilltop site in 1992-3, to be replaced by unobtrusive low-density housing. 

A surprising number of Sheffielders expressed regret at its passing.

It’s a pity that Hyde Park, itself such a magnificent piece of townscape, turned out to be unusable.

The story of Park Hill and Hyde Park Flats is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom. For details please click here.

Streets in the sky 1


Park Hill Flats, Sheffield (1982)

Few decisions about listing buildings have caused so much controversy as the Grade II* award to Sheffield’s Park Hill Flats in 1998.  Opinion remains divided about whether the late-1950s “streets in the sky” are emblematic of post-war optimism, or an abomination that should have been torn down long ago.

J L Womersley was appointed City Architect for Sheffield in 1953 with the responsibility for redeveloping the bomb-damaged city centre and coping with a massive housing problem. 

Neighbouring authorities, particularly Derbyshire, opposed Sheffield’s threats to invade their territory with boundary extensions, yet overspill populations from densely-packed inner-city areas couldn’t be decanted away into the city’s Green Belt. 

After the mid-1950s development of the attractive low-density Gleadless Valley and Low Edges estates there was nowhere else to build.

As well as the tower-block developments common to many British cities, Lewis Womersley experimented with two deck-access developments, Park Hill (1958-60) and Hyde Park (1962-6), followed after his departure to Manchester by Kelvin (W L Clunie, 1966-9), each a development of Le Corbusier’s Unité d’habitation street-deck concept. 

In execution Park Hill was easily the most successful, partly because of its relative proximity to the city-centre, but mostly because the steeply-sloping site permitted ground-level access at one end to each floor except the topmost. 

The development offered a range of accommodation – one- and two-bedroom flats, interspersed with two- and three-bedroom maisonettes.  Among the up-to-the-minute conveniences, the Garchey waste-disposal system, flushing kitchen waste to ground level, reduced the need for dustbins.

Pubs, shops and a newly-built primary school provided local amenities, and the site is a short bus-ride from the city centre.

Sir Nikolaus Pevsner, in the second edition of The Buildings of England: Yorkshire West Riding (revised by Enid Radcliffe, Penguin 1967), made a complacent but prescient comment about Park Hill, that they would be slums within half a century, and he hoped, with breathtaking arrogance, that they would at least prove to be a cosy slum “which people will feel to be their home”.

When Park Hill was listed Grade II* in 1998, the Head of Listing at English Heritage, Dr Martin Cherry, described it as “likened to a medieval fortress, a glittering cliff-face of windows….a magnificent structure of which many of its residents and Sheffield Council are rightly proud”. 

A comprehensive refurbishment by the developer Urban Splash, started in 2009 but stalled in the face of adverse economic downturn, is still not concluded.

When it’s finished, Park Hill will be cosy, and it certainly won’t be a slum.

Gladstone’s Library

Gladstone’s Library, Hawarden, Flintshire

It’s not everyone’s choice of holiday, but a couple of times a year I like to book myself into comfortable accommodation some distance from home, take my laptop and a couple of paperbacks and spend the better part of a week writing.

It’s my opportunity to write up Sheffield local-history material that will never justify the expense of publishing, but can rest in the Archives as a legacy for future researchers.

Before the pandemic I spent an enjoyable, crisp winter week at the Raven Hall Hotel at Ravenscar in North Yorkshire, followed the same summer by a heatwave on the North Norfolk coast at Sea Marge Hotel in Overstrand where I found a cool, shady corner of the north-facing patio.  At both locations I hardly left the premises all week.

The pandemic prevented me taking up my booking at Gladstone’s Library, Hawarden, Flintshire, until March 2022, and it was worth waiting for.

The library was founded in 1894 by the Prime Minister William Ewart Gladstone (1809-1898) to “bring together books which had no readers with readers who had no books”.

He endowed it with £40,000 start-up capital and twenty thousand of his own books, which he transported in a wheelbarrow from his home, Hawarden Castle, to a temporary building, assisted only by his valet and one of his daughters.

After his death £9,000 was raised to build the present building, designed by the distinguished Chester architect John Douglas (1830-1911), and the Gladstone family provided a residential wing which opened in 1906.

No other British prime minister has a memorial library, though the USA has a tradition of presidential libraries back to George Washington.

John Douglas provided a galleried library which, apart from its visual appeal and vast collection of books, has two welcome attributes – a strict silence rule and the facility to reserve a work-place throughout the day and keep it overnight.

The residential rooms are small but comfortable, and during the pandemic all have been fitted with en-suite bathrooms.

The restaurant, Food for Thought, provides breakfast, lunch and dinner, and refreshments throughout the day, 8.00am-8.00pm.

In four days, I produced seventeen thousand words about the parish of St Cecilia, Parson Cross, Sheffield and its remarkable first vicar, Richard Roseveare.

I wouldn’t have accomplished that at home, having to cook my own meals and load my own dishwasher.

Booking details and other information can be found at Gladstone’s Library | the UK’s finest residential library (gladstoneslibrary.org).

What’s not to like?