Lancaster Corner

Newark Air Museum:  Lancaster Corner – (above) wing-tip of Lancaster bomber, R5726;  (foreground) fuselage fragment of Lancaster Mk I, W4964

Newark Air Museum: Lancaster Corner – (above) wing-tip of Lancaster bomber, R5726; (foreground) fuselage fragment of Lancaster Mk I, W4964

One of the most poignant exhibits at the Newark Air Museum is the wingtip of a Lancaster bomber, R5726, which was fished out of Knipton Reservoir, near Melton Mowbray, Leicestershire.

It broke up in the air in bad weather on the afternoon of April 4th 1944, killing the crew of seven, and was found by Newark Sub-Aqua Club in 1979.

Next to it is a short section of the fuselage of another Lancaster Mk I, W4964, which flew 106 missions, one of them part of Operation Catechism, the final attack on the German battleship, Tirpitz, on November 12th 1944.

When this aircraft was retired its fuselage was used for ground training, and eventually a sawn-off section became a garden shed in Gainsborough, from where it was rescued for preservation in 1974.

Its wartime paintwork remains intact.  The accompanying display shows a photograph of its crew returning from its first sortie to Stettin in 1943, with the plane’s insignia in the background.

Also on display is one of Barnes Wallis’ bouncing bombs, properly an Upkeep Mine:  this one was a test version dropped in a practice run at Reculver, Kent.

It’s one thing to see a historic relic, whether a plane or a train or a building, fully restored as new, but it’s a far more resonant experience to see actual artefacts unchanged from the time of the story that they tell.

Do-it-yourself aeroplane kit

Newark Air Museum:  Taylor JT1 Monoplane G-APRT

Newark Air Museum: Taylor JT1 Monoplane G-APRT

The most endearing aircraft in the Newark Air Museum is the prototype Taylor JT1 Monoplane, G-APRT, designed in 1956 and built in Ilford in 1958-9 by Mr John F Taylor.

He specified that it had be within the capabilities of a do-it-yourself constructor, fabricated entirely of wood, and originally cost less than £100.  Its wingspan was restricted to sixteen feet, because that was the size of the lounge in his apartment.  Even so, extricating the finished plane involved removing the bay-window and sliding it down ramps from first-floor to ground level.

At least 110 of these nippy little planes have been built, and you can buy one for slightly above £4,500:  http://www.afors.com/index.php?page=adview&adid=14519&imid=0.

It cruises at 90-100 mph, and has a range of 290 miles.

I imagine John Taylor’s family were glad to get it – and him – out of the house.

There’s an article about the Taylor JT1 Monoplane at http://www.dailykos.com/story/2013/04/22/1203846/-Taylor-JT-1-Monoplane-the-little-plane-upstairs#.

 

Newark Air Museum

Newark Air Museum:  English Electric Lightning T5 XS417

Newark Air Museum: English Electric Lightning T5 XS417

I know very little about aircraft.

I was brought up alert to steel wheels on steel rails.  I was taught to read, write and count by watching the trams go past the house in post-war Sheffield.  My dad took me trainspotting on Sunday mornings while my mum cooked lunch (which we called dinner).

I still think numbers look best in sans-serif, as they were on the front of most Sheffield trams and buses and on the cab-sides of British Railways locomotives.  And though roller-blind destination indicators are on their way out, if I see a driver scrolling to change his display I have to stand and watch the succession of place-names.

My mate Richard was brought up on rubber wheels – cars and motorbikes – and seems to have spent his childhood building model planes.

So when he suggested spending a couple of hours at the Newark Air Museum, just off the A1 in Nottinghamshire [http://www.newarkairmuseum.org/index.html], I didn’t expect to learn much.

In fact, it’s a rich, varied and highly professional museum, with excellent interpretation that’s informative for enthusiasts and at the same time intelligible to numpties like me.

We wandered through two vast display halls and a small-objects display hall, inspected a range of aircraft outside, and briefly looked at a collection of aero-engines (to appreciate which you presumably need an engineering degree).

I declined an offer to sit in the cockpit of a Jaguar, knowing that when Dick walked round the corner he’d jump at the chance.  He had at least a vague idea of what all the knobs and dials were for, whereas I’d be like the guy at Crich who asked how you steer a tram.

The Museum runs a rich series of events, ranging from an Aeroboot sales day to a Cockpit-Fest.  There is a comprehensive education programme, particularly for primary schoolchildren, Cubs and Scouts, and Air Training Corps squadrons.

There’s a shop, billed as “the best specialist aviation outlet in the Midlands”, and a small, warm and welcoming café, which for the moment only goes as far as “legendary” toasties and paninis but will in due course branch out in a new building, thanks to ‘Project Panini’ [http://www.newarkairmuseum.org/newsItem.php?id=736].

The site, adjacent to the Newark and Nottinghamshire Agricultural Society showground, was formerly RAF Winthorpe, a Second World War base that operated from September 1940 until July 1959.

The aircrew who flew from there and didn’t come back are commemorated by a poignant memorial which incorporates part of a propeller hub of a MK III Short Stirling, EF186, which was based at RAF Winthorpe and crashed out of control at Breeder Hills near Grantham on December 4th 1944.

In essence, this rich collection of magnificent engineering commemorates the skill and the bravery of those who flew from airfields like this before, during and after the Second World War and their successors who continue to do so.

St Cecilia’s lingers

St Cecilia’s Church, Parson Cross, Sheffield – nave & baptistery

St Cecilia’s Church, Parson Cross, Sheffield – nave & baptistery (2013)

After I’d taken part in the Church Commissioners’ meeting to discuss the redundancy and proposed demolition of St Cecilia’s Church, Parson Cross, Sheffield, I spent some time talking to people in the Parson Cross community about the building’s practical possibilities.

Apparently, there aren’t any.

Local community workers told me that there’s already full provision of community facilities on the Parson Cross and neighbouring Foxhill estates:  a further facility, if it could be financed, would threaten the viability of those already existing.

Public finance is, of course, an impossibility.

One City Councillor told me with understandable passion of the difficulties of maintaining social provision in the face of draconian financial cuts.  One particular priority at present, justifiably, is somehow to maintain a branch library within reach of local residents.

Yet the emotional pull of St Cecilia’s still remains.  A clergyman spoke movingly of how the building holds the prayers of seventy years of congregational worship, and is a monument to the revered Kelham Fathers who built up the parish from nothing.

The one positive insight I heard came from someone with enterprise experience:  “The only hope for that building,” he said, “is serendipity.”

That, after all, is what happened at Gorton Monastery in Manchester, the Abbeydale Cinema on the south side of Sheffield, and the former St Thomas’ Church, Brightside, which is now Greentop Circus.

The Gorton Monastery project was co-founded by Elaine Griffiths, MBE;  the Abbeydale Cinema turned a corner when Phil Robins spotted its possibilities as a climbing centre;  the founders of Greentop Circus had the wit to challenge Anneka Rice.

In other words, the only possibility of finding a use for the building is if someone comes along with a practical idea that no-one else has thought of.

The only way of saving St Cecilia’s is for someone who needs an attractive space on the north side of Sheffield to come up with a business plan that relieves the Church Commissioners of the need to spend nearly £200,000 knocking the place down brick by brick to the great inconvenience of the neighbours.

St Hilda’s lingers

St Hilda's Church, Shiregreen, Sheffield (September 27th 2013)

St Hilda’s Church, Shiregreen, Sheffield (September 27th 2013)

Last August the scaffolding went up around St Hilda’s Church, Shiregreen, Sheffield, and it was apparent that it would be demolished. I was told that the schedule was to have the site cleared by the end of September 2013. A cheerful crew duly turned up and over a matter of two or three weeks removed the entire roof. Then they went away, and nothing further has happened. The place continues to stand a roofless ruin. My diocesan source tells me that the delay results from “discussion between the Sheffield City Council Planning Department, Church Commissioners, Diocese and the Contractor”. The Church authorities don’t seem to have much luck either with keeping redundant buildings standing or knocking them down. St Hilda’s is now neither one thing nor the other. It’s perhaps mischievous to point out that roofless churches have been preserved against all the odds, such as the Welsh Presbyterian Church, Toxteth, Liverpool [http://www.liverpoolecho.co.uk/news/liverpool-news/toxteths-welsh-presbyterian-church-new-6086259] and the Welsh Baptist Chapel, Upper Brook Street, Manchester  [http://www.victoriansociety.org.uk/news/the-unitarianchapel-upper-brook-street-manchester]. Both these examples are listed, and are of undeniable historical and architectural merit. But sometimes even the most unassuming derelict buildings gain a purpose that keeps them standing and restored to good order:  https://www.mikehigginbottominterestingtimes.co.uk/?p=1461. Update – March 11th 2014:  The interrupted demolition of St Hilda’s has resumed, and it should be gone within a matter of days. One less twentieth-century suburban church makes the others that remain marginally more valuable. The failed campaign to save St Hilda’s Church, Shiregreen is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom. For details please click here.

Greentop Circus

Former St Thomas' Church, Brightside, Sheffield, now Greentop Circus

Former St Thomas’ Church, Brightside, Sheffield, now Greentop Circus

Because of the discussions about the future of the redundant St Cecilia’s Church, Parson Cross, Sheffield, I’m looking at examples of successful conversions of redundant religious buildings which have preserved the architecture while enabling the building to earn its keep.

I’ve already written about the former St Peter’s Roman Catholic Church, Seel Street, Liverpool (now a restaurant) and the Wesleyan Reform Chapel, Attercliffe, Sheffield (now a mosque) and the spectacular revival of the Monastery of St Francis, Gorton.

One of the best examples I’ve come across is the former St Thomas’ Church, Brightside, Sheffield, a modest Victorian parish church of 1854 by the local architects Flockton & Son, built to serve the first growth of artisan housing as the steelworks crept across the Lower Don Valley after the arrival of the railway in 1838.

It’s a more modest building than Flockton & Son’s contemporaneous work in Sheffield – the General Cemetery Church and Christ Church, Pitsmoor (both 1850), and St Matthew’s, Carver Street (1855) – but it is, as the cliché goes, small and perfectly formed, with a nave and chancel, a south aisle but no north aisle, a bell-tower and spire.

It was listed Grade II in 1973 and made redundant in 1979.  At first it was converted as a gymnasium for the Sheffield School of Gymnastics but then fell into neglect.

It was rescued by Anneka Rice’s TV programme, Challenge Anneka, broadcast on August 27th 1995 [http://www.youtube.com/watch?v=u9vZ1FI6Mwc and http://www.youtube.com/watch?v=2gGPhlmeY5s] as a circus school for Greentop Circus [http://www.greentop.org].

Apart from a shortage of storage-space, the interior is ideal for its present purpose.  The trapeze rig sits comfortably on the load-bearing walls of the nave;  there is ample height and floor-area and cramped but well-organised office-space in the west gallery, accessible by an intriguing spiral staircase in the tower.

Greentop is an arts education charity which provides, alongside training facilities for professional performers, school workshops and team-building for adults as part of its mission “to use contemporary circus skills to enhance people’s lives and inspire positive change”.

When I met a committee of the Church Commissioners to discuss the proposal to demolish St Cecilia’s, I was asked if there weren’t already enough community facilities on the Parson Cross estate.  I replied that if the existing six buildings were sufficient support for the local community, the area would not figure so high on indices of deprivation.

Greentop’s value to the local Firvale community is incalculable.  Some of the young people who have become involved are from the local Roma community, who have had a famously bad press recently:
http://www.telegraph.co.uk/news/uknews/immigration/10452130/Roma-in-Sheffield-When-it-goes-off-it-will-be-like-an-atom-bomb-here.html.

And without Greentop, the consecrated churchyard of St Thomas would contain only graves and a wreck or an empty space.

Sham Castles

The Towers, Scarborough, North Yorkshire

The Towers, Scarborough, North Yorkshire

Castle-by-the-Sea, Scarborough, North Yorkshire

Castle-by-the-Sea, Scarborough, North Yorkshire

Scarborough has three castles – the genuine article which dates back to Roman times, and two Victorian shams which have their own unique appeal.

The Scarborough brewer Thomas Jarvis built The Towers, designed by William Baldwin Stewart in 1866, immediately below the gatehouse of the medieval castle on the promontory that divides Scarborough’s two bays.

He later added the Castle-by-the-Sea, which overlooks the North Bay, at the other end of the little street that became Mulgrave Place, and in 1876 leased it to the Leeds artist, Atkinson Grimshaw (1836-1893).

Atkinson Grimshaw was the son of a Leeds policeman, an ex-railway-clerk who without formal training executed canvases of dusk and moonlight scenes, mainly of coast and harbour settings, with considerable commercial success.

One of his first and finest Scarborough works is ‘Sic Transit Gloria Mundi, the Burning of the Spa Saloon’ (1876), which was probably commissioned by Jarvis and was painted in great haste for the sake of topicality but not publicly exhibited.  It is now in the Scarborough Art Gallery [http://www.scarboroughartgallery.co.uk], along with ‘Scarborough Lights’ (c1877), ‘Burning off a Fishing Boat at Scarborough’ ) and ‘Lights in the Harbour, Scarborough’ (1879).

Atkinson Grimshaw reputedly influenced Bram Stoker into setting Dracula in Whitby.

He’s also regarded as a possible influence on Frank Meadow Sutcliffe, the Whitby photographer.

He returned to Leeds in 1879 after getting into financial difficulties, and went on to paint numerous scenes in Hull, Liverpool, London and Glasgow Docks.

The Castle-by-the-Sea is a notably welcoming bed-and-breakfast hotel, one of the pleasantest places to stay in Scarborough:  http://www.thecastlebythesea.co.uk.

The Towers is a private residence and not open to the public.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Great little Norfolk railway

Bure Valley Railway:  Wroxham

Bure Valley Railway: Wroxham – locomotive no 6, Blickling Hall

An unexpected sight on the rail journey between Norwich, Cromer and Sheringham is the busy little station of the Bure Valley Railway at Wroxham.

It’s literally little because the Bure Valley trains run to the tiny gauge of fifteen inches.  The line follows the trackbed of the former East Norfolk Railway standard-gauge line to Aylsham, which is now the terminus.  Originally it extended past what is now a Tesco car-park to a junction at County School.

The scale of the Bure Valley trains allows for the full paraphernalia of main-line steam and diesel operation.  The Aylsham station has four platforms and a complicated track layout, and both termini have turntables:  indeed, the turning of the locomotive at Wroxham is a highlight of the journey.

Miniature it may be, but this is no toy railway.

Indeed, it operates boat trains which offer a return journey from Aylsham to Wroxham with a ninety-minute Broads cruise:  http://www.bvrw.co.uk/trains/boattrain.asp.

Three adults can sit comfortably side by side in the passenger coaches, some of which have electric heating for winter operation.

It’s a seriously attractive attraction.

Norfolk Orbital Railway

Wymondham Abbey Station, Mid-Norfolk Railway, Norfolk

Wymondham Abbey Station, Mid-Norfolk Railway, Norfolk

At present, the Mid-Norfolk Railway [http://www.mnr.org.uk] preserves an 11½-mile-long, unremarkable stretch of the former Great Eastern Railway between Wymondham and Dereham.  Though there is a physical connection to Network Rail at Wymondham, public services stop short at Wymondham Abbey.

As well as providing the usual tourism services of a heritage railway, the enterprising Mid-Norfolk line provides freight services through its connection to the national network, serves military traffic and provides testing facilities for the rail industry and training opportunities for the emergency services.

Most of its operations are diesel hauled, and there are regular appearances of guest steam locomotives.

Reaching this stage of development has been a considerable struggle [http://en.wikipedia.org/wiki/Mid-Norfolk_Railway] and future plans are ambitious and exciting.

The Mid-Norfolk Railway Trust owns a further six miles of track-bed northwards to County School Station (built for and named after a long-gone boarding school operated by Dr Barnardo’s from 1907 to 1953).

Linking this section to the existing line provides a springboard for a further lengthy extension to Fakenham.

And that’s not all.  The proposed Holt, Melton Constable & Fakenham Railway plans to reinstate continuous railway from Holt to Melton Constable, the core of the Midland & Great Northern Joint Railway system, continuing on to the M&GNR main line to Fakenham, where it would ultimately connect with the extended Mid-Norfolk Railway on the former Great Eastern Railway.

This project involves several physical alterations to the historic route –

  • reinstating a rail link alongside the A148 by-pass into Holt
  • constructing a new Melton Constable station on a different site to the vanished original
  • realigning the route through Melton Constable to avoid reversal
  • avoiding the Pensthorpe wildfowl park which occupies the original alignment on the entry to Fakenham

The completed project, the Norfolk Orbital Railway [http://www.norfolk-orbital-railway.co.uk/index.html], would reintroduce rail transport to north-west Norfolk, and provide an 84-mile continuous loop incorporating the current rail-services between Wymondham, Norwich, Cromer and Sheringham.

A further project, the Whitwell & Reepham Railway Preservation Society Limited, based at Whitwell & Reepham station on the M&GNR Fakenham-Norwich line, has long-term [http://whitwellstation.com] plans to reinstate seven miles of track and to link with either the North Norfolk Railway or the Mid-Norfolk Railway.

 

Gothic New York: Riverside Church

Riverside Church, New York City

Riverside Church, New York City

On Riverside Drive overlooking the River Hudson is a great twentieth-century Gothic church of surprising proportions, the Baptist Riverside Church, largely financed by John D Rockefeller Jnr, and opened in 1929 to the designs of Allen, Pelten & Collens.

Especially when seen from the river, the huge tower, 392 feet high, dominates the church, which is itself a hundred feet high and 215 feet long.

The tower is in fact a 22-storey office building for the church administration, surmounted by a 72-bell carillon which – until 9/11 – visitors could inspect on their way to view the panorama from the top of the tower, from where the skyscrapers of Lower Manhattan dot the horizon.

Riverside Church is proud of its stained glass and sculpture.  It has two Epsteins, the bronze ‘Madonna and Child’ (1927) and the gilded mould of the cast ‘Christ in Majesty’ at Llandaff Cathedral, Wales.

From the outset of its ministry, started by Rev Harry Emerson Fosdick (1878–1969), Riverside Church has been a springboard for all kinds of social intervention, and has provided a pulpit for a dazzling array of speakers, from Martin Luther King to Nelson Mandela, Jesse Jackson to Desmond Tutu, and Fidel Castro to Bill Clinton.

For details of Mike Higginbottom’s lecture The Big Apple:  the architecture of New York City, please click here.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.