Category Archives: Life-enhancing experiences

Christmas in a T-shirt: the Florida Keys

Florida Oversea Railway:  Seven Mile Bridge

Florida Oversea Railway: Seven Mile Bridge

Florida Oversea Railway:  Seven Mile Bridge

Florida Oversea Railway: Seven Mile Bridge

It took me three attempts to spend Christmas in Florida.  The first time there were no flights and I ended up in Jordan.  The second time that Florida was full I stayed at home and bought myself a television.

Eventually, in 1999, I hired a car in Miami and drove down the Keys.  The name “Key” derives from the Spanish “cayo”, meaning “small island”.

The road-journey on US Highway 1 down the Florida Keys is unique.  In some places it’s a dreary highway bristling with motels, but for most of the time you drive between the sea and the mangrove swamps.

The highway is mostly built on the trackbed of the Florida Overseas Railroad, the inspiration of one man, Henry Morrison Flagler (1830-1913), one of the original partners, along with John D Rockefeller, in the great Standard Oil enterprise.

After Henry Flagler had taken his first wife to St Augustine, Florida, for her health in 1878 he pulled back from active involvement in the oil industry and started a second entrepreneurial career extending his Florida East Coast Railway southwards from St Augustine to develop what became Palm Beach, Fort Lauderdale and Miami.

In the following years Henry Flagler took the decision to extend his Florida East Coast Railway 128 miles all the way across the archipelago south of Biscayne to Key West, then the largest town in Florida with a population of 20,000.

The string of islands that curves from south-west to west for over seventy miles presented huge engineering challenges.

The seaways between the islands were spanned mostly by closed-spandrel concrete viaducts like the 2.15-mile Long Key Viaduct which consists of 186 35-foot arches carrying the track 31 feet above the sea.

The longest of all these crossings was the Seven Mile Bridge, which curves across the small island of Pigeon Key and is in fact four successive viaducts.  The northern three sections, Knights Key, Pigeon Key and Moser Channel bridges, consist of steel spans laid directly on concrete piers;  the southernmost section, the Pacet Channel Viaduct, has 210 53-foot closed-spandrel concrete arches.  The total length including approaches was actually nearer to nine miles.

Trains crawled along the single track, completely unfenced, at a limited speed of 15mph, for fear of a derailment.

The rationale behind building this prodigious railway, which some at the time dubbed “Flagler’s Folly”, was that Key West was a major coaling station for ships sailing between the New York City and South America, and would be the first and last port in USA territory for ships traversing the Panama Canal, then under construction.  In fact, coaling declined in the twentieth century as vessels increased in range and changed to oil propulsion.

The railroad was literally blown away by a hurricane in 1935, but its spectacular viaducts survive:  the road now traverses modem concrete viaducts alongside, and the disused railway bridges serve as fishing platforms.

Cameron’s cars

Manx Electric Railway "Tunnel" car 7 and Snaefell Mountain Railway 6 & 1

Manx Electric Railway “Tunnel” car 7 and Snaefell Mountain Railway 6 & 1

National Tramway Museum, Crich, Derbyshire:  Blackpool & Fleetwood 40

National Tramway Museum, Crich, Derbyshire: Blackpool & Fleetwood 40

John Cameron was a Victorian engineer whose career deserves to be better known.

He began his career as a ganger on the Settle & Carlisle Railway in the early 1870s, and was a subcontractor for the Manx Northern Railway in 1878.  He stayed on to serve as secretary and manager of the Manx Northern from 1879, making it the cheapest operational railway in the British Isles, and he built the Foxdale Railway in 1886.

He was appointed consultant engineer for the Douglas-Laxey electric railway and the Snaefell Mountain Railway, but left the island before the electric railway was extended from Laxey to Ramsey and renamed the Manx Electric Railway.

In 1898 he became secretary and manager of the Blackpool & Fleetwood Tramroad.

Both the MER and the Tramroad were promoted by property speculators.  The Manx line started out as a pretext for property development north of Douglas, and became involved in a bubble of enterprise that spread to electricity supply, quarrying and hotels and burst spectacularly in 1900.

The sponsors of the Blackpool & Fleetwood Tramroad, Benjamin Sykes and his business partner Thomas Lumb, between them owned or had significant control over virtually all the undeveloped land along the tramroad route.  They proceeded cautiously, and eventually sold their line to Blackpool Corporation in 1920.

For both these electric railways John Cameron provided very similar rolling stock, flat-fronted box-shaped single-deckers with corner entrances.  The Manx Electric Railway was laid to three-foot gauge track, but the Snaefell Mountain Railway, fitted with a central Fell rail to aid adhesion and braking, is 3ft 6in gauge.  The Blackpool & Fleetwood Tramroad, running along the spacious, gently graded Fylde coast, was built to standard 4ft 8½in gauge.  The obvious similarity of the rolling stock on the two lines is clearly Cameron’s signature.

All three lines remain in operation.  The Manx Electric Railway, though unobtrusively modernised for practical reasons, provides an authentic Victorian travel experience as it grinds its way over the cliffs between Douglas and Ramsey, powered predominantly by John Cameron’s fleet of “Tunnel” cars (1894) and “Winter Saloons” (1899).  (There is no satisfactory explanation of why the narrow “Tunnel” cars are so called.  There are no tunnels on the MER.)

The Snaefell Mountain Railway takes visitors from the MER at Laxey to the top of the island’s highest mountain.

The Blackpool to Fleetwood tramway has been upgraded to modern light-rail standards, and is operated by uncompromisingly modern Bombardier Flexity 2 vehicles.   There remains one survivor of John Cameron’s Blackpool fleet, no 40, built in 1914, now part of the National Tramway Museum fleet at Crich, Derbyshire.

By courtesy of YouTube, it’s possible to enjoy a cab-ride from Starr Gate to Fleetwood in six minutes:  https://www.youtube.com/watch?v=o3vsZWf7Y8U.

The Isle of Man moves at a slower pace, and YouTube offers the real-time experience, complete with rain on the window-glass, of a back seat from Ramsey to Douglas in just over an hour:  https://www.youtube.com/watch?v=vxhLp7iGOjs.

(There was another railway engineer called John Cameron, who learned his trade in the south of England and became the locomotive superintendent of the Taff Vale Railway 1911-1922.  He died in 1938.)

The 72-page, A4 handbook for the 2014 Manx Heritage tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Good spirits at the Abbeydale

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Photos:  Scott Hukins [www.scotthukins.co.uk]

I’ve never seen the point of dressing up for Hallowe’en – just as I’ve never understood the point of punk, or tattoos.  If you’re beautiful, why make yourself look ugly?  And if you’re ugly, why make matters worse?

At the Abbeydale Picture House Hallowe’en film night there were lots of people who had taken a great deal of trouble to make themselves look as if they’d just been dug up.

Even though I’ve never had a taste for horror films, Nosferatu (1922) came to life, so to speak, in the Abbeydale’s faded auditorium with the piano improvisations of Jonathan Best:  http://www.silentfilmpiano.com.

There is something magical about watching a silent movie in a packed silent-movie picture-house with a resonant piano that fills the acoustic.

Effects that would seem primitive through the prism of modern media, such as colour-tints for mood, work when seen as they were meant to be seen.

Though a modern audience inevitably reacts to Nosferatu with the irony born of two generations of horror movies, I found myself wondering just how frightening all this was in 1922.  Though it’s now PG-rated, it must have seemed pretty scary to the original audience.

For those of us who seek to bring Sheffield’s finest suburban cinema back to practical use there’s magic in seeing hundreds of people turn up for an exceptional cultural experience within its walls.

For me, there was extra magic on the way home when the taxi-driver, who came to Sheffield fifty years ago to work in the steelworks, asked me where I’d been and reminisced about the cinemas he knew – including the Abbeydale – in the 1970s.

Sunday afternoon, he told me, was when the Asian community gathered at the Adelphi and the Pavilion to watch Bollywood.

And he’s glad to see such places survive and come back to life.

Cinema is magic – before, during and after the film.

For coming events at the Abbeydale Picture House, where the auditorium is under repair, go to The Abbeydale Picture House – Sheffield’s Historic Cinema & Venue.

Free time in New York: The High Line

New York City:  The High Line at Gansevoort Street

New York City: The High Line at Gansevoort Street

One of the most relaxing ways of wandering in a green setting in Lower Manhattan is the High Line, an elevated walkway created from a redundant railway viaduct running the length of the Meatpacking District and almost into Greenwich Village.

When the first railways were laid into Manhattan, the built-up area of the street grid extended hardly as far as 23rd Street.  The Hudson River Railroad, built 1846-51, brought its tracks across the Harlem River at the Spuyten Dyvel Bridge and all the way down Tenth Avenue at grade level, with obvious dangers and inconveniences to street traffic.

In 1871, most passenger services were diverted by the Spuyten Duyvil & Port Morris Railroad, originally built in 1842, along Park Avenue to what became the Grand Central Terminal.

Because the Hudson River Railroad west-side line remained useful for bringing freight into lower Manhattan, it was grade-separated between 1929 and 1934 as part of the West Side Improvement Project.  The resulting elevated railway was aligned along the blocks on either side of 10th Avenue, sometimes running through buildings such as the Bell Telephone Laboratories Building at 463 West Street and the Nabisco building between 15th and 16th Streets, now Chelsea Market.

The line became redundant from the 1960s, and the last train, apparently delivering a load of frozen turkeys, ran in 1980.

The track-bed became derelict and overgrown, though the steelwork remained entirely sound, and in the 1990s local residents began to campaign for its retention as an unlikely amenity:  https://www.youtube.com/watch?v=F1tVsezifw4.

Supported by such luminaries as the fashion designer Diane von Fürstenberg, and sponsored by a range of high-end companies, the viaduct was reopened as the High Line [http://www.thehighline.org/visit], a greenway modelled on the Parisian Promenade plantée René-Dumont (1993), in phases between 2009 and 2014.

It runs from 34th Street to Gansevoort Street, south of Little West 12th Street and adjacent to the new Whitney Museum of American Art (Renzo Piano 2015), encompassing wild planting, wooded groves and a lawn, with a range of amenities such as seating, artworks and catering facilities.  There is level access at 34th Street, and elsewhere there are five wheelchair-accessible entrances with elevators and a further five staircases at intervals.

For details of Mike Higginbottom’s lecture The Big Apple:  the architecture of New York City, please click here.

Free time in New York: Brooklyn Bridge

New York City:  Brooklyn Bridge

New York City: Brooklyn Bridge

The pedestrian and cycle path across Brooklyn Bridge is one of the great cost-free experiences of New York City.

Some people think the Brooklyn Bridge is the most beautiful bridge in the world.  It has a unique place in the development of the most elegant of all bridge designs – the suspension bridge.  Its stone piers with their Gothic arches, the fanning suspension cables and its unparalleled setting make it unmistakable.

The bridge was designed by John Augustus Roebling (1806-1869), whose adoption of 3,000-ton pneumatic caissons to dig through the river silt to the bedrock below made possible the 276-foot Gothic towers that carry the span.  Roebling’s expertise, which included building the first suspension bridge across the gorge below Niagara Falls (1855), came from his ownership of a wire-manufacturing company.

Surveying began in 1867, but before construction began Roebling was injured in a ferry accident and shortly afterwards died of tetanus.

The project passed to his son, Washington Augustus Roebling (1837-1926), who also lost his health to the Brooklyn Bridge.  He fell victim to the then unknown condition we now call decompression sickness, and was so debilitated that he had to supervise the project remotely, using his wife Emily Warren Roebling (1843-1903) as his amanuensis and messenger.  She became so knowledgeable and capable about bridge engineering that many thought she was the actual designer.

Its 1,595-foot central span was at the time the longest in the world, half as long again as the previous record-holder, J A Roebling’s Cincinnati-Covington Bridge (1856-67)  [http://www.rootsweb.ancestry.com/~kycampbe/roeblinghistory.htm].  The clearance-height above the river, 135 feet, became the international standard for bridging waterways that carry sea-going vessels.  This was the first suspension bridge to use galvanised steel cables, and the first project to use dynamite in bridge construction.  Its cost was $15,100,000 – more than twice the initial budget.

It opened on May 24th 1883 with a procession led by Emily Warren Roebling, accompanied by President Chester Arthur and the Governor of New York State, Grover Cleveland (later 22nd and 24th President) and the Mayors of New York and Brooklyn.  Washington Roebling remained at home in Brooklyn Heights where he hosted a celebratory dinner later in the day.

The Brooklyn Bridge has hidden depths.  At least one of the vaults within the Brooklyn approach, originally planned as a shopping arcade, was leased to a wine-merchant and has been periodically rediscovered:  http://www.ediblegeography.com/brooklyn-bridge-champagne.  In 2006 a disused nuclear bunker was discovered in the Manhattan foundations, containing “more than 350,000 items, including half-century-old water drums, food canisters, and medical supplies”:  http://www.nytimes.com/2006/03/21/nyregion/21capsule.html?_r=0.

There is a comprehensive series of photographs of the Brooklyn Bridge at http://www.loc.gov/pictures/search/?va=exact&sp=1&st=gallery&q=Photograph%3A+ny1234&fi=number&op=PHRASE

Footage dating from 1899 shows a cab-ride in an elevated railway train, crossing the Brooklyn Bridge at the time when it was shared between pedestrians, road vehicles, trains and streetcars:  https://www.youtube.com/watch?v=yuMRrToOXkE.

For details of Mike Higginbottom’s lecture The Big Apple:  the architecture of New York City, please click here.

Free time in New York: Staten Island Ferry

New York City:  Staten Island Ferry

New York City: Staten Island Ferry

The classic way of seeing New York Harbour as it should be seen, by water, is the Staten Island Ferry, which runs twenty-four hours a day, every day of the year, except overnight on public holidays, and is entirely free of charge:  http://www.nyc.gov/html/dot/html/ferrybus/staten-island-ferry.shtml.

The first steam-powered ferry service between Manhattan and Staten Island was operated by the Nautilus (1817).

The ferry company was purchased in 1838 by future railroad entrepreneur “Commodore” Cornelius Vanderbilt (1794-1877), and at the start of the Civil War it passed to the Commodore’s brother, Jacob H Vanderbilt, a leading figure in the Staten Island Railway company.  Later still it was taken over by the Baltimore & Ohio Railroad.

Staten Island, as part of the Borough of Richmond, was absorbed into the City of New York in 1898 and the ferry service was taken over by the New York Docks and Ferries Department in 1905.

It remains the responsibility of what is now the New York Department of Transportation.

Initially, the municipalised Staten Island Ferry charged the same 5-cent fare as the New York Subway, and for much of the twentieth century the ferry-fare remained the same while subway fares increased.  Between 1972 and 1990 the fare increased in stages to 50 cents, still a great bargain.

Fare-collection was abolished in 1997, since when the Staten Island Ferry has been one of the best free attractions in New York.

Most tourists simply sail out to Staten Island and come straight back, but you have to disembark and re-board, so it’s worth having a drink or a meal with a distant view of Manhattan at the River Dock Café, Staten Island Ferry Terminal:  https://www.facebook.com/RiverDockCafe.  

I had traditional fish and chips, a well-intentioned approximation to the British national dish, with three fillets of Atlantic cod and British chips.  (What the Americans usually call “chips” in England would be crisps;  what the Americans call “fries” are British chips, but not at the River Dock Café.)

The beer’s good too – such as Sam Adams Rebel IPA (ABV 6.5%):  https://www.samueladams.com/craft-beers/rebel-ipa.

For details of Mike Higginbottom’s lecture The Big Apple:  the architecture of New York City, please click here.

Steaming out of Whitby

North Yorkshire Moors Railway, outside Whitby station:  BR locomotive 76079

North Yorkshire Moors Railway, outside Whitby station: BR locomotive 76079

The North Yorkshire Moors Railway is one of the premier heritage lines in Britain, started up in 1973, seven years after the British Railways service closed down.

It runs from Grosmont, the junction with the Esk Valley line, south to Pickering. It has spectacular moorland scenery, beautifully preserved stations, authentic rolling stock that is kept in good order and a fleet of powerful tender locomotives that can tackle steep gradients.

Its greatest asset of all, however, is its army of volunteers. Stations and trains are well staffed, so that the public is well looked after. The railway offers a warm welcome, decent catering and unobtrusive shopping opportunities to holidaymakers and rail enthusiasts alike.

Among the many preserved railways up and down the land, the NYMR is at the top of the game, alongside such lines as the Keighley & Worth Valley Railway and the Severn Valley Railway.

Travelling between Whitby and Pickering and back in either direction is a full day out, and there’s time to make at least one break of journey. Grosmont station gives access to the locomotive works through the original tunnel of the horse-drawn Whitby & Pickering Railway; Goathland, made famous by the TV programme Heartbeat, is irresistibly picturesque.

The re-entry of steam trains into Whitby is a huge success, and line-capacity has been improved by bringing a second platform back into use. Collaboration between the local authorities, Network Rail and the NYMR has created a win-win situation, boosting the local economy and bringing pleasure to thousands.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Boot’s Folly

Boot's Folly, near Strines, Sheffield

Boot’s Folly, near Strines, Sheffield

I dislike the term “folly”, referring to extravagant and apparently useless buildings and structures.

Quite often, the constructors of eccentric buildings had a purpose, and knew exactly what they were doing.

The Wentworth Marquises of Rockingham and Earls Fitzwilliam constructed what are now called the Wentworth Monuments to embellish the landscape and to commemorate important events.

Eye-catchers such as Deer Park Lodge at Scampston Hall, North Yorkshire, and Sir Thomas Tresham’s famous Triangular Lodge at Rushton, Northamptonshire though decorative, doubled as functional estate buildings.

Boot’s Folly, a plain square tower, 45 feet high, that can be seen across the hills north-west of Sheffield between Bradfield and Strines, is unambiguously a folly.

It stands over a thousand feet above sea-level, and is built of the stones of three demolished farms.

Its builder was the canny construction magnate Charles Boot (1874-1945) who lived at Sugworth Hall in the valley below.

He was the son of Henry Boot (1851-1931), who founded the family company and built it from nothing. Charles took over from his father just before the First World War, made a fortune from military contracts during the war and then continued to grow his wealth through post-war construction, particularly housing in Britain and on the continent. He was also the founder of the Pinewood film studios.

In the spirit of all the best follies, there’s no clear reason why he built his tower. A customary explanation is the desire to provide employment for the unemployed, like Joseph Williamson at Edge Hill or the 5th Duke of Portland at Welbeck. A more distinctive story is that Charles Boot wanted a vantage point within sight of Bradfield churchyard where his wife was buried in 1926, the year before the tower was built.

Originally, a staircase led to a panelled room at the top of the tower, but this was dismantled – so the story goes – after a cow strayed up the stairs and had to be rescued with difficulty.

There is a fine set of images of the tower at http://www.derelictplaces.co.uk/main/showthread.php?t=30431#.VUOvKOl0zcs.

Lafite, 2014

Joanna Vasconcelos, 'Lafite, 2015' (one of a pair), Waddesdon Manor, Buckinghamshire

Joanna Vasconcelos, ‘Lafite, 2015’ (one of a pair), Waddesdon Manor, Buckinghamshire

I’m habitually suspicious of modern art, sensing that some of it is a repository for rich people’s spare capital and much of it is artists’ scratching their imaginative itches in preference to providing pleasure for non-artists.

On the contrary, I took an immediate liking to a pair of sculptures that I found installed at the entrance to Waddesdon Manor, the great French-style chateau that Baron Ferdinand de Rothschild built on a bare hilltop in Buckinghamshire between 1874 and 1889. Though Waddesdon was given to the National Trust in 1957, it is run by a Rothschild family trust, and the nearby subsidiary house at Eythrop is the residence of Jacob, Lord Rothschild.

Joanna Vasconcelos’ Lafite, 2015 celebrates the family’s connection with wine and their great Bordeaux estate, Château Lafite Rothschild. It consists of a pair of giant candlesticks composed of over a thousand magnums, neatly connecting the magnificent Rothschild fine art within the house with the produce of the family vineyards: http://www.joanavasconcelos.com/info_en.aspx?oid=3570.

At night the candlesticks light up.

Joanna Vasconcelos’ trademark is to construct artworks from everyday forms, such as Piano Dentelle, 2008-2011 [http://www.joanavasconcelos.com/info_en.aspx?oid=755], Pavillon de Thé, 2012 [http://www.joanavasconcelos.com/info_en.aspx?oid=2085] and Call Centre, 2014 [http://www.joanavasconcelos.com/info_en.aspx?oid=2864]. For more illustrations of Joanna Vasconcelos’ work, see http://www.joanavasconcelos.com/obras_en.aspx.

Waddesdon Manor is one of the National Trust’s most popular sites, and is best visited at off-peak times: http://www.nationaltrust.org.uk/waddesdon-manor.

You can treat yourself to a bottle of wine if you’ve a bob or two to spare: http://www.waddesdon.org.uk/shop-and-eat/wine-shop.

Abbeydale Picture House Film Revival

Abbeydale Picture House, Sheffield:  Film Revival, Sunday July 18th 2015

Abbeydale Picture House, Sheffield: Film Revival, Sunday July 18th-19th 2015

Photos:  Scott Hukins [SCOTT HUKINS : PHOTOGRAPHER (wordpress.com)]

For the first time in forty years, a sizeable audience sat in the stalls of the Abbeydale Picture House, Sheffield’s finest surviving suburban cinema, and watched feature films on the big screen over the weekend of July 18th-19th 2015:  Picture House Revival – Exposed Magazine

Thanks to the inspired vision of the arts platform Hand Of, run by three recent Sheffield graduates, Rob Hughes, Louise Snape and Ismar Badzic, several hundred people – some of them from surprisingly far afield – experienced this very special building doing what it was designed to do, making people happy.

Pullman-style seats – more comfortable than the originals – were installed, together with three bars, one of which sold sarsaparilla, the traditional temperance drink of pre-1960s Sheffield. Outside in the car-park there was a rich choice of street food and cakes; in the foyer, the distinctive fragrance of popcorn hung in the air.

The choice of films touched on Yorkshire’s film heritage – Brassed Off (1996) and Four Lions (2010) – and the Abbeydale’s heyday – two Laurel & Hardy titles, the short Brats (1930) and the feature A Chump at Oxford (1940), together with the first feature-film ever shown at the Abbeydale on its opening night, December 20th 1920, The Call of the Road, starring the British boxer-turned-actor Victor McLaglen.

The Call of the Road was a very special opportunity to see a silent movie as it was originally presented, on a big screen, with a fully improvised piano accompaniment by the virtuoso Jonathan Best.  Any other experience of pre-1929 feature films pales in comparison with watching a clear print, run at the correct speed, with live musical accompaniment in a crowded auditorium.

The afternoon was made even more special by the presence in the audience of Vincente Stienlet, grandson of Pascal J Stienlet who designed the building, and Cynthia Allen McLaglen, the niece of the film-star Victor McLaglen.

The Abbeydale has been very lucky in its owners since 1975 – the office-equipment dealers A & F Drake Ltd who found a use for the place into the early 1990s, the Friends of the Abbeydale Picture House who made use of it up to 2012, and the current owner Phil Robins who is developing it as a multipurpose community venue.

The Picture House Revival was a huge step forward in bringing the place back to life. Thanks to Rob, Louise and Ismar, the place was lit up on Saturday and Sunday evening, and after the end of the show crowds of people poured out on to the street, smiling.