Category Archives: Life-enhancing experiences

Look, no hands

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Violana, Musical Museum, Brentford (detail)

Violana, Musical Museum, Brentford (detail)

A couple of hundred yards down the road from the London Museum of Water & Steam (formerly Kew Bridge Steam Museum) stands the modernist home of the Musical Museum, Brentford: http://www.musicalmuseum.co.uk.

This rich collection of mechanical musical instruments deserves at least a couple of hours.

I was taken round by Ron, who’s been involved in collecting these intricate and temperamental machines for six decades. He’s a mine of information, and tells you more if you ask relevant questions.

The collection, which was started in 1963 by Frank Holland MBE (1910-89) as the British Piano Museum, extends from tiny clockwork musical boxes, through barrel organs and player pianos to vast orchestrions – pipe-organs that were designed to reproduce the effects of a full orchestra.

I learned a lot. A pianola, for example, was not an entire musical instrument but rather the interface between the player roll and the keyboard of a piano or organ.

Eventually the recording of performances became sufficiently sophisticated to reproduce the playing of great musicians. Ron allowed us to listen to Sergei Rachmaninoff (1873-1943) playing Rimsky-Korsakov’s ‘Flight of the Bumble Bee’ on a grand piano.

A particularly fascinating rarity on show is the violana (or violano), a mechanical violin-player which self-rosinates: http://www.jonroseweb.com/f_projects_violano.html.

The Brentford collection also covers sound recordings from the earliest phonographs onwards. I learned that the only way to quieten the sort of machine that Nipper the dog listened to was, literally, to put a sock in it.

The climax of this collection of mechanical music-making is a mighty Wurlitzer, formerly installed in the Regal Cinema, Kingston-on-Thames. Now it is installed in an upstairs theatre, where it can be hooked to a paper-roll player.

One of the participants in the visit I joined was an accomplished Wurlitzer player, who gave us a quick tour of the instrument.

The Wurlitzer is hired out for £30.00 an hour – an ideal Christmas present for an organist: http://www.musicalmuseum.co.uk/page/30-wurlitzer.

Going to Scarborough Fair

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Scarborough Fair Collection, Lebberston, North Yorkshire

Scarborough Fair Collection, Lebberston, North Yorkshire

There is a pattern of successful entrepreneurs with a weakness for steam engines collecting historic artefacts as an adjunct to their main business.

George Cushing (1904-2003) at Thursford and Alan Bloom (1906-2005) at Bressingham are fellows in spirit with Graham Atkinson, whose Flower of May Caravan Site at Lebberston, near Scarborough, is the home of the Scarborough Fair Collection, an enjoyable assembly of fairground rides, steam engines, cars, motorbikes and commercial vehicles, embellished with a fine café and a dance hall with two mighty Wurtlitzer cinema organs: http://www.scarboroughfaircollection.com.

Unlike Thursford, which is dark and theatrical, the Scarborough Fair Collection is top lit in daylight. Its rides – including a set of gallopers (c1893), a Noah’s Ark, a set of dodgems and a ghost train – are spread around the building, with helpful notices indicating what time they run. The vehicles and other artefacts are thoroughly labelled, so that it’s possible to understand their significance – and in some cases, considerable rarity – even if you’re not an aficionado.

Among its treasures it boasts four showmen’s engines (one of them The Iron Maiden, star of the 1962 film of the same name), a Foden steam wagon, a magnificent 1937 Scammell showman’s tractor, The Moonraker, and a fully restored showman’s caravan.

There are several mechanical organs,–

  • a 72-key Verbeeck concert organ
  • the 89-key Marenghi organ of Irvins of Ashford, Middlesex
  • the 97-key Gavioli/Voigt Die Münchner Oktoberfest-Orgel
  • a 100-key ‘Condor’ organ (originally 97 keys) by the Hooghuys family

– as well as a small example of a calliope, originally a fearsome contraption that could be heard for miles made for riverboats from locomotive whistles.

Tea dances take place on Wednesday afternoons, using the two Wurlitzers. They are an interesting pair, respectively from the Granada cinemas at Mansfield, Nottinghamshire (1936) and Greenford, west London (1937).

Both are the same size – 3 manuals, 8 ranks – but with contrasting specifications. The voicing of the Mansfield instrument is close to the usual specification of a contemporary church organ (Style ‘D’ Trumpet, Diapason, Tibia Clausa, Clarinet, Violin, Violin Celeste, Vox Humana and Flute) while the Greenford organ is altogether more theatrical (English Horn, Tuba, Diapason, Tibia Clausa, Saxophone, Gamba, Gamba Celeste and Flute).

The Scarborough Fair Collection has much to fascinate enthusiasts for steam, motor vehicles, mechanical music, organs and all the fun of the fair, while at the same time entertaining those who enjoy wallowing in nostalgia over a cup of tea and a cake.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Big boys’ toys

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Bressingham Steam & Gardens, Norfolk: 2ft-gauge loco 'George Sholto'

Bressingham Steam & Gardens, Norfolk: 2ft-gauge loco ‘George Sholto’

If you’re going to have a train set you might as well have a big one. And if you can afford it, why not have three?

Alan Bloom MBE (1906-2005) was a significant figure in the world of horticulture, the son of a market gardener, an innovator who developed new plants and new ways of planting after he bought the 228-acre Bressingham Hall estate in Norfolk in 1946.

By the 1960s his nursery business and associated display garden were sufficiently successful for him to indulge his other love – live steam. He initially bought a traction engine to assist garden construction:  he ended up with fourteen.

Unlike his distant neighbour and near contemporary George Cushing (1904-2003), who concentrated on collecting road engines and showmen’s equipment at Thursford, Alan Bloom had a particular liking for rail-borne steam.

He subsequently built a miniature railway around the periphery of the garden. Then, in the late 1960s he installed a fine set of gallopers and began to collect standard-gauge steam locomotives.

By the time of his death, the Bressingham Steam Centre, now Bressingham Steam & Gardens, had three separate narrow-gauge railways, the 10¼-inch gauge Garden Railway, the fifteen-inch Waveney Valley Railway, and the 2½-mile two-foot gauge Nursery Railway.

The standard-gauge collection includes some significant items loaned from the National Collection including Great Northern Railway 990 Henry Oakley, London, Tilbury & Southend Railway 80 Thundersley and a London, Brighton & South Coast Railway “Terrier” tank, Martello, in its guise as British Railways 32662 – all of them static.

The museum also owns the last surviving standard-gauge Garratt locomotive in Britain and a vast German post-war Class 52 Kriegslokomotiven (“war-locomotive”), found mothballed in a Norwegian railway tunnel, with a cab the size of a small bedsit.

Like George Cushing, Alan Bloom safeguarded his legacy by establishing a charitable trust, with few employees and many volunteers, but Bressingham has none of the pizazz of the Thursford Collection, with its Wurlitzer, its dancing penguins and roller-skating milkmaids.

Bressingham downplays its commercialism. It’s a relaxed affair of trains and gardens, a honeypot for families where you can wander at will. It’s an admirable place for a picnic.

And it’s a memorial to a man whose legacy is to give pleasure to people: http://www.bressingham.co.uk/home.

Blood Swept Lands and Seas of Red

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Paul Cummins, 'Blood Swept Lands and Seas of Red', Tower of London, Saturday August 30th 2014

Paul Cummins, ‘Blood Swept Lands and Seas of Red’, Tower of London, Saturday August 30th 2014

I like art to be accessible.  I like there to be a layer that is understandable without having to read an essay-length label, with as many deeper layers as may be for the onlooker to discover gradually.

There can be no more accessible art installation than Paul Cummins’ Blood Swept Lands and Seas of Red, 888,246 ceramic poppies currently being installed, in a setting by stage designer Tom Piper, in the moat of the Tower of London:  http://poppies.hrp.org.uk/about-the-installation.

Each poppy represents a British serviceman killed in the Great War.  The total of 888,246 poppies – and lives lost – will be accomplished in time for Remembrance Day 2014.

It’s impossible to stand in front of this growing array and not be conscious of the sheer human cost, and waste, of the great conflict a hundred years ago.

I can’t think of a more powerful way of recognising the reality of the number 888,246 – the population of Greater Liverpool (864,122)?  3½ times the current complement of the British Army plus reserves (865,305)?  Wembley Stadium filled nearly ten times over (900,000)?  No mathematical comparison can make the impact of the spread of red across the green moat of Britain’s oldest fortress.

It’s a work of genius:  http://www.paulcumminsceramics.com/poppies-to-fill-tower-of-london-moat-in-first-world-war-commemoration.

Nottingham’s Water Palaces 1: Bestwood Pumping Station

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Former Bestwood Pumping Station, Nottinghamshire

Former Bestwood Pumping Station, Nottinghamshire

There can be few more splendid places to dine in Nottinghamshire than the Lakeside Restaurant [http://www.lakesidetower.co.uk/fine-dining-in-nottingham/pump-room-restaurant.html], a spectacular conversion of one of Nottingham’s fine Victorian water-supply pumping stations.

Nottingham was the birthplace of one of the greatest British civil engineers of the nineteenth century, Thomas Hawksley (1807-1893), who specialised in water-supply engineering and served as consulting engineer to the Nottingham Waterworks Company.  He was the first to prove it was feasible to provide twenty-four-hour supply, a convenience that made water-closets fully practical.

He was responsible for managing the huge increase in demand as the population of Nottingham grew in the nineteenth century by tapping the abundant supplies of water held in the Bunter Sandstone that lies beneath the town.

The Bestwood Pumping Station, built in 1869-73, was part of that great project.  The brick engine house was built in thirteenth-century French Gothic style with stone facings.

Its architectural splendour was a gesture towards the 10th Duke of St Albans, from whom the six-acre site was leased.  He had rebuilt his nearby residence, Bestwood Lodge, in 1865, so the pumping-station chimney is contained in a 172-feet-high Venetian Gothic staircase tower which leads to a viewing loggia.

The engines were constructed by Joseph Whitham of Leeds, with a capacity of three million gallons per day, drawn from a well 176 feet deep.  They were replaced by electric pumps in 1964 and dismantled in 1968.

Following a steeplejack’s report that the tower was unsafe because of mining subsidence, plans were announced in 1972 to demolish the historic buildings.

Faced with a public outcry, the chairman of Nottingham Corporation Water Committee, Councillor Len Squires (Labour), complained, “Nobody realised the building had any architectural merit whatsoever until we decided to pull it down.”

When the Nottingham Corporation Waterworks Department was taken over by Severn Trent, Bestwood Pumping Station became derelict, listed but apparently unusable.

In fact, its architectural merit made it a superb location for an upmarket restaurant and wedding venue, with a fitness suite in the former boiler house.

The building reopened as the Lakeside Restaurant in 1997 with a décor strongly reminiscent of Victorian country houses, later replaced by an understated colour scheme of sage green and gold.

The latest refurbishment has transformed the interior to a dramatic black and white scheme with tiny touches of gold that admirably brings out the decorative detail of the Victorian structural ironwork.

The beam floor provides a further function room, the Tower Suite, and the tower will eventually be open once building work is complete.

It’s an indication of the pride that Victorian municipalities took in their utilities that this practical waterworks should so successfully become an elegant place for fine dining.

The former Bestwood Pumping Station features in Mike Higginbottom’s lecture ‘Temples of Sanitation’. For further details please click here.

The Lord’s Port

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Port Erin, Isle of Man: remains of breakwater

Port Erin, Isle of Man: remains of breakwater

When you leave the Isle of Man Railway steam train at the terminus of Port Erin, a short walk from the station brings you to the most spectacular harbour on the island.

It’s no coincidence that the railway’s southern line terminates here.

Port Erin – in Manx Phurt Chiarn, the “Lord’s port” referring to the British sovereign, the Lord of Mann – was already a modest fishing port before the Manx economy developed with the arrival of steamships in the nineteenth century.

A huge breakwater, constructed with much effort between 1864 and 1876 at a cost of £80,000, was severely damaged by a storm in 1868, and the finished pier was utterly destroyed by a further storm in January 1884, which scattered concrete blocks weighing up to seventeen tons.

While the Port Erin harbour was being constructed, the railway lines from Douglas south to Port Erin and west to Peel were built.

Work on the railway began in 1872, but the unexpected arrival on the island in June 1873 of the Duke of Sutherland, chief of the railway company’s promoters, a month before official opening date, slowed the progress he had come to inspect.

Track was hurriedly shifted from the Port Erin line to Peel so that locomotive No 1 Sutherland could with appropriate ceremony enter Peel station, where it derailed, leaving the Duke to adjourn to the Creek Inn.  The Peel line opened on July 1st 1873, followed by the Port Erin service on August 1st 1874.

As the terminus of the steam railway line from Douglas from 1874, Port Erin slowly grew into a small town.

In 1900 the Port Erin Building Estate was laid out by Horrocks & Lomas for Richard Cain of Castletown.  In 1901 the managing company was reorganised and renamed the Athol Park Estate Company (Port Erin) Ltd, but there was little development before 1914.

In the optimistic climate of this period the Isle of Man Railway rebuilt Port Erin station in 1904.

Port Erin became neither the major harbour nor the thriving holiday resort its promoters intended.

Instead, it’s a charming and relaxing destination for Isle of Man holidaymakers.

There are few finer Manx experiences than sitting in the conservatory of the Falcon’s Nest Hotel [http://www.falconsnesthotel.co.uk], gazing out at the remains of the breakwater in the bay, or eating and drinking in the bar of the Bay Hotel [http://www.tripadvisor.co.uk/Restaurant_Review-g616277-d1773319-Reviews-The_Bay_Hotel-Port_Erin_Isle_of_Man.html] on the harbour front.

The 72-page, A4 handbook for the 2014 Manx Heritage tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Cruising the Mekong River

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Mekong River, Vietnam

Mekong River, Vietnam

The second great surface-travel experience of the Great Rail Journeys’ ‘Vietnam, Cambodia & the Mekong Delta’ [http://www.greatrail.com/tours/vietnam-cambodia-and-the-mekong-delta.aspx#VMG4] is the day-long speedboat-ride up the Mekong River to the Cambodian capital, Phnom Penh.

We spent the whole of Sunday sailing up the Mekong River from a place I’d never heard of, Cần Thơ, on a speedboat, a relaxing and revealing experience because the Mekong, with its various tributaries and distributaries, is a working river.

Its vessels range from tiny craft to huge coasters, carrying sand, rice and bricks to the coast, and there are ro-ro ferries of various sizes plying crossings at intervals.   The distributary from which we started was as wide as the Mersey at Liverpool;  upstream we joined a channel that was nearer to the width of the Humber at Grimsby.

There was a particularly impressive stretch of river lined with brick kilns, pouring out black smoke, a reminder that the smokestack industries that Britain eliminated after the Second World War remain in the Far East.

Before leaving Vietnam the crew topped up the tanks with fuel, while members of our group tried to work out what two young boys were doing in the water.  It appeared they were washing a dead pig.

The Vietnamese formalities were negligible:  our passports were processed by the boat crew, and all we had to do was get off the boat, sit around for five minutes and get back on again.  There was no attempt to match the passports to the people whatsoever.

In between the two border posts the crew lowered the Vietnamese flag at the bow and raised the Cambodian one, which seemed a polite gesture at least.

At the Cambodian border post a short distance upriver there was the full performance of queuing at a window, and much stamping and scribbling by a heavily uniformed officer, while the lady from the boat stapled slips into passport pages.  The process was lubricated by another member of the boat crew silently and dutifully delivering a couple of cases of Tiger Beer behind the counter.

The Cambodian stretch of the river contrasts starkly with downstream.  Suddenly the industry, the river-traffic and the populace vanished, and for well over an hour we travelled past fields with very few signs of activity and none of prosperity.

It’s clear that this place is decades behind its neighbour.  When you read up the history the reasons are obvious:  this is a nation with a tragic past of urban depopulation, genocide, famine.  No Cambodian family is untouched by this late-1970s trauma, yet apparently more than half its young population have no direct memory of it.

There are oddities about being in Cambodia.

A member of our group darkly remarked that the BBC News feed was running nine minutes late.

 

Caudwell’s Mill

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Caudwell's Mill, Rowsley, Derbyshire

Caudwell’s Mill, Rowsley, Derbyshire

One of the most attractive Derbyshire places to visit for morning coffee, lunch or afternoon tea is Caudwell’s Mill at Rowsley, a few minutes’ drive from Chatsworth or Haddon Hall:  http://www.caudwellsmill.co.uk.

The mill itself was built to produce flour and animal feed by John Caudwell in 1874, and he and his son Edward modernised it by replacing the original millstones with roller mills to make finer, purer flour for baking, and installing water turbines to power them.  The last phase of this installation, by the manufacturer Amme, Giesecke & Konegen, was in progress in August 1914:  the German labourers were promptly sent home but the engineers, having finished their work, were apparently interned in the Isle of Man until 1919.  Edward Caudwell eventually settled the bill in 1924.

Caudwell’s ran as a going concern until 1977, by which time it was recognised as an intact, complete example of a distinct phase in the development of modern milling technology.

It was listed Grade II* and taken over by a trust with support from the landowner, the Duke of Rutland’s Haddon Estate, the local planning authority, the Peak Park Planning Board, and a small army of local people, industrial archaeologists and millers with financial assistance from, among others, the Architectural Heritage Fund, the Carnegie (UK) Trust, the Countryside Commission, the National Heritage Memorial Fund and the Science Museum.

The mill itself is open to the public, a fascinating warren of band-driven machines, hoists and Archimedean screws.  One of the turbines generates the electricity for the site.  The mill shop sells flour, oats and yeast – everything you need for quality home baking.  In the surrounding yard are craft-shops, a blacksmith, an upholsterer, a glass-maker and a jewellery maker:  artisans | Caudwell’s Mill at Rowsley (caudwellsmill.co.uk).  

The café is vegetarian and provides the sort of cream cakes that look as if they’d qualify as five-a-day:  hlaf cafe | Caudwell’s Mill at Rowsley (caudwellsmill.co.uk).

All this lies beside the waters of the River Wye, in one of the most beautiful of Derbyshire valleys.

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Liverpool’s life story

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Museum of Liverpool: Liverpool Overhead Railway 3

Museum of Liverpool: Liverpool Overhead Railway 3

Liverpool’s trio of Edwardian buildings fronting Pier Head – the Liver Building, the Cunard Building and the former Mersey Docks & Harbour Board Building – are collectively known as the “Three Graces”.

The design of Liverpool’s “Fourth Grace” – to occupy Mann Island, the space next to the Pier Head group – brought lengthy controversy.

The initial scheme, for Will Alsop’s design “The Cloud”, described by one journalist as a “diamond knuckleduster”, was eventually dismissed as expensive and impractical:  http://www.theguardian.com/uk/2003/nov/21/regeneration.europeancapitalofculture2008, http://www.theguardian.com/uk/2004/jul/20/europeancityofculture2008.arts and http://www.theguardian.com/artanddesign/2004/jul/24/architecture.communities.

The eventual outcome was the Museum of Liverpool by the architects 3XN and engineers Buro Happold, an altogether quieter building that provides a surprising amount of space for exhibits and offers superb views along the river front.

Here at last are opportunities to savour some of the most significant major exhibits that could rarely if ever be displayed in the limited amount of museum space that was previously available.

The Liverpool & Manchester Railway locomotive Lion, built in 1837, latterly the star of the 1953 film The Titfield Thunderbolt and last steamed in 1989, rests alongside a reproduction stretch of the former Liverpool Overhead Railway viaduct, on which stands the one remaining vehicle from that much-mourned fleet.

Upstairs, the great model of the unbuilt Roman Catholic Cathedral designed between the wars by Sir Edwin Lutyens stands before a panorama showing exactly how this vast structure would have dominated the Liverpool skyline and streetscape.

Perhaps most fascinating of all, in the amount of time it demands, is Ben Johnson’s huge, minutely-detailed painting ‘Liverpool Cityscape’ (2005-8) commissioned for the Liverpool Capital of Culture Year and now permanently displayed at the Museum.

These are the star attractions of a rich, constantly evolving museum that celebrates one of the vibrant cities in the UK:  http://www.liverpoolmuseums.org.uk/mol/things-to-see.

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

The seventh generation

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John Lloyd, Stonemason, Great Bedwyn, Wiltshire

John Lloyd, Stonemason, Great Bedwyn, Wiltshire

Participants in my 2012 Waterways & Railways between Thames & Severn tour were bemused when I insisted on stopping in the Wiltshire village of Great Bedwyn to look at the post office.

Ostensibly it had nothing to do with waterways or railways but the building is a delight because it’s the historic base of the stonemasonry business of John Lloyd [http://www.johnlloydofbedwyn.com/our-experience], a family firm dating back seven generations to the arrival of Benjamin Lloyd in 1790 in connection with the cutting of the Kennet & Avon Canal.

The post office itself and the yard beside it are encrusted with monumental panels, miscellaneous carvings, offcuts, uncollected orders, rejected pieces of all kinds.

A Daily Telegraph article [Hamish Scott, ‘Say it with stone’, September 21st 1996 [http://www.independent.co.uk/life-style/say-it-with-stone-1364250.html] about John Lloyd records his laconic advocacy of taking time and care to respect natural stone:  “You have to listen to its ring. If the note changes, then you’re doing something wrong. The stone will tell you what you can get away with, so long as you respect it.”

John Lloyd no longer manufactures on the site.  One of the most spectacular lots sold at an auction in 2009 was a memorial to a First World War airman – a stone Sopwith Camel with an eleven-foot wingspan.

Still remaining are a selection of eccentricities, including the ‘Repairs to a monument’, an account in stone of the mason’s work and his charges.