Category Archives: Sheffield’s Heritage

Greentop Circus

Former St Thomas' Church, Brightside, Sheffield, now Greentop Circus

Former St Thomas’ Church, Brightside, Sheffield, now Greentop Circus

Because of the discussions about the future of the redundant St Cecilia’s Church, Parson Cross, Sheffield, I’m looking at examples of successful conversions of redundant religious buildings which have preserved the architecture while enabling the building to earn its keep.

I’ve already written about the former St Peter’s Roman Catholic Church, Seel Street, Liverpool (now a restaurant) and the Wesleyan Reform Chapel, Attercliffe, Sheffield (now a mosque) and the spectacular revival of the Monastery of St Francis, Gorton.

One of the best examples I’ve come across is the former St Thomas’ Church, Brightside, Sheffield, a modest Victorian parish church of 1854 by the local architects Flockton & Son, built to serve the first growth of artisan housing as the steelworks crept across the Lower Don Valley after the arrival of the railway in 1839.

It’s a more modest building than Flockton & Son’s contemporaneous work in Sheffield – the General Cemetery Church and Christ Church, Pitsmoor (both 1850), and St Matthew’s, Carver Street (1855) – but it is, as the cliché goes, small and perfectly formed, with a nave and chancel, a south aisle but no north aisle, a bell-tower and spire.

It was listed Grade II in 1973 and made redundant in 1979.  At first it was converted as a gymnasium for the Sheffield School of Gymnastics but then fell into neglect.

It was rescued by Anneka Rice’s TV programme, Challenge Anneka, broadcast on August 27th 1995 [http://www.youtube.com/watch?v=u9vZ1FI6Mwc and http://www.youtube.com/watch?v=2gGPhlmeY5s] as a circus school for Greentop Circus [http://www.greentop.org].

Apart from a shortage of storage-space, the interior is ideal for its present purpose.  The trapeze rig sits comfortably on the load-bearing walls of the nave;  there is ample height and floor-area and cramped but well-organised office-space in the west gallery, accessible by an intriguing spiral staircase in the tower.

Greentop is an arts education charity which provides, alongside training facilities for professional performers, school workshops and team-building for adults as part of its mission “to use contemporary circus skills to enhance people’s lives and inspire positive change”.

When I met a committee of the Church Commissioners to discuss the proposal to demolish St Cecilia’s, I was asked if there weren’t already enough community facilities on the Parson Cross estate.  I replied that if the existing six buildings were sufficient support for the local community, the area would not figure so high on indices of deprivation.

Greentop’s value to the local Firvale community is incalculable.  Some of the young people who have become involved are from the local Roma community, who have had a famously bad press recently:
http://www.telegraph.co.uk/news/uknews/immigration/10452130/Roma-in-Sheffield-When-it-goes-off-it-will-be-like-an-atom-bomb-here.html.

And without Greentop, the consecrated churchyard of St Thomas would contain only graves and a wreck or an empty space.

Good news at the Abbeydale

Former Abbeydale Cinema, Sheffield

Former Abbeydale Cinema, Sheffield

I reported in July 2012 that the Abbeydale Cinema, Sheffield had been bought by Phil Robins, the owner of The Edge [http://www.sheffieldclimbing.com/index.php], an indoor climbing centre near to Bramall Lane football ground.

Phil showed me round the Abbeydale last month and allowed me to photograph the improvements he’s so far made while making the building secure and weather-tight.

The two major changes he’s made are to lower the iron safety-curtain to its proper level, so that it can be seen in its entirety for the first time for many years, and to remove the partition that divided the balcony from the rest of the auditorium when the Abbeydale was used as an office-equipment showroom.

At present, therefore, it’s possible to see the entire auditorium space as it existed in the mid-1950s.  The only feature that is not original is the false proscenium that was inserted when Cinemascope was installed.  The sides of the narrower original 1920 classical-detailed proscenium are visible, but not the top which, according to the opening-night description in the Sheffield Independent, displayed “a chaste panel of Grecian figures on a background of pale blue”.

The original decorative scheme was pale and deep cream with gold;  the 1920s proscenium is now a faded pale green trimmed with gold, and the rest of the auditorium is a strident concoction of blue, claret and cream.  (The lighter colours now visible may, of course, be tempered with nicotine.)

Phil intends to restore the interior space as far as possible to its original state, and to install free-standing climbing equipment which will not affect the listed decorative features.

Unintended consequences

St Cecilia’s Church, Parson Cross, Sheffield (August 29th 2013)St Cecilia’s Church, Parson Cross, Sheffield (August 29th 2013)

I remarked in an earlier blog-article that I couldn’t understand how the Gloucestershire architect Kenneth B Mackenzie got the commission to build St Cecilia’s Church, Parson Cross, Sheffield in the late 1930s.

He certainly had no previous experience of designing churches, though he was apparently a sensitive restorer of existing church buildings in the Diocese of Gloucester.

St Cecilia’s is a fine essay in twentieth-century Gothic revival design.  Its stone exterior sits comfortably in its tight little close of council houses, now protected by trees that have matured over three-quarters of a century.  Its stubby little tower is in scale with its domestic surroundings, so that Chaucer Close has the feeling of a village green in the midst of the vast Parson Cross municipal housing estate.

Within, its concrete rendered walls, lit by the plain glass of the rectangular traceried windows, enclose a calm, expansive space, entered through a narthex into an aisled nave, with a sanctuary dominated not by an east window but by a reredos that was added in 1971.  Above the narthex is a west gallery filled with the magnificent case of the 1986 Cousans organ.

Kenneth Mackenzie was clearly fluent in the aesthetic language that the Anglo-Catholic congregation required, and left plenty of scope for additions and embellishments.

He was, like many architects of his generation, less adept at making his building easy to maintain.  He probably, in the late 1930s, assumed that future generations would give priority to preserving the building, in particular giving regular attention to the slate and asphalt roofs.

He couldn’t know that the electrical wiring installed in 1938 would still be in place seventy-five years later.

And he took it for granted that the stream that runs beneath the building would behave itself, which it hasn’t.  The presbytery, always known as the Priory, regularly flooded before it was demolished in 1994, and now that the church is disused the undercroft floor is heaving.

As a source close to the Church Commissioners remarked, the current difficulties with the building arise from defects of maintenance, not from its structural integrity.

It’s certainly untrue that St Cecilia’s Church has necessarily reached the end of its life.

But the unintended consequences of Kenneth Mackenzie’s decisions about structure and design have left a heavy legacy for anyone who contemplates bringing it back to any kind of use.

It seems that Kenneth Mackenzie was the nephew of Mr A R Heathcote, the then anonymous benefactor who paid for the building.

More time for St Cecilia’s

St Cecilia’s Church, Parson Cross, Sheffield (August 29th 2013)

St Cecilia’s Church, Parson Cross, Sheffield (August 29th 2013)

Campaigning to save the church of St Hilda, Shiregreen, Sheffield (Leslie T Moore, 1938) was a frustrating experience because of the opacity of the Church Commissioners’ processes for the closure and disposal of redundant churches.

Earlier blog-articles record my interest in the subsequent closure of the nearby church of St Cecilia, Parson Cross (Kenneth B Mackenzie, 1939).  Because I formally objected to the proposed demolition I’ve been given far more information about the building than ever we saw about St Hilda’s, and I was invited to make direct representations to the Commissioners’ Pastoral and Church Buildings (Uses & Disposals) Committees.

The condition and location of St Cecilia’s Church presents an intractable dilemma for the parish and the Commissioners.

It’s practically unusable because of the state of the roof and the wiring, yet the parishioners are saddled with the considerable monthly expense of securing and insuring it while trying to maintain the more compact daughter-church of St Bernard of Clairvaux, in which they now worship, at the other end of the parish in Southey Green.

The diocesan authorities fear the expense and disruption of demolishing a building hemmed in by inhabited houses with restricted road access.

Sheffield City Council has made it clear that the only acceptable change of use would be residential, yet the existing building would not adapt well and a replacement apartment block would be uneconomic in an area where substantial three-bedroomed houses sell for £80,000.

For the moment, the Commissioners have referred back the Diocese’s proposals in an attempt to find an alternative use that avoids the punitive cost and disruption of demolition.

Meanwhile, the small combined congregation of St Cecilia’s and St Bernard’s pay an inordinate price because St Cecilia’s is not yet formally redundant – though almost everyone agrees it should be – and St Bernard’s is not yet consecrated as the parish church of the future.

I continue to argue that the secular community around St Cecilia’s has been given insufficient opportunity to work towards an alternative secular practical use for the building, yet the take-up at the two public meetings that were called was disappointing – fifteen people in 2011 and twenty in August this year.

The Church of England hasn’t been able to find a way to dispose of St Cecilia’s Church from within its own resources and procedures.

The building needs a use that takes advantage of its quiet setting and its light, airy interior space, and that can somehow be supported financially.

Butcher Works

Butcher Works, Sheffield

Butcher Works, Sheffield

In October last year the South Yorkshire Art Fund provided me with an opportunity to see Butcher Works, an unusually austere example of Sheffield’s surviving cutlery factories, dating back to 1819-20 but mostly built c1855-60, led by Oliver Jessop, the archaeologist who investigated the site before and during its redevelopment.

Here, edge-tools, cutlery and files were made by the independent workmen who were known in Sheffield as the “Little Mesters”, contracting and sub-contracting their specialised trades and, often, hiring workshop facilities from factory-owners such as William and Samuel Butcher.

Up to the end of the eighteenth-century Sheffield’s cutlers worked in small water-powered forges.  Their workshops were often referred to as “wheels”, as in the preserved Shepherd Wheel in the Porter Valley.

The name persisted when steam-power arrived, and even though the Butcher brothers’ four-storey courtyard factory stands in the middle of town on Arundel Street, where the 9th Duke of Norfolk had unsuccessfully sought to develop a select residential development, it was always known as Butcher’s Wheel.

These bleak, grimy workshops, which produced some of the finest cutlery and silverware in the world, have become rarities, and there are some moribund examples still, such as Leah’s Yard within the footprint of the stalled Sevenstone shopping development.

The last working tenants left Butcher’s Wheel in 2004, and it’s now been redeveloped as apartments above the workshops of the Academy of Makers [http://www.academyofmakers.co.uk], a gallery, the Fusion Café [http://www.academyofmakers.co.uk/fusion-cafe.html] and the Ruskin Organic Bakery.

The works is also home to Freeman College [http://www.rmt.org/freeman], which caters for marginalised students and those with special educational needs, especially those on the autistic spectrum.

The activities of the other occupiers, the craftspeople and the café provide the students with work-experience as part of the process of equipping them for independent living.

All this modern activity pays for its restoration, yet buried within are unexpected remains of its industrial past, a grinding shop (called a “hull” in Sheffield), an intact hand-forge and a magnificent Bramah pan-closet relocated from its original site next to the directors’ board room.

The informative historical information panels about Butcher Works are accessible at http://www.strazors.com/uploads/images/Butcher_Works_Panels_1-7.pdf and there’s an aerial view of the site before renovation in Nicola Wray, Bob Hawkins & Colum Giles, ‘One Great Workshop’:  the buildings of the Sheffield metal trades (English Heritage 2001), p 50.

The empty envelope

St Cecilia’s Church, Parson Cross, Sheffield (August 29th 2013)

St Cecilia’s Church, Parson Cross, Sheffield (August 29th 2013)

After the public meeting about the demolition of St Cecilia’s Church, Parson Cross, Sheffield Paul Beckett, the Assistant Diocesan Secretary (Property) of the Diocese of Sheffield, invited me to see the interior of the church to gain a better idea of its condition.

It would indeed need serious money to deal with the water ingress, the fallen plaster, the undulating floor in the undercroft and the shot-to-pieces wiring.

If someone could contrive a practical way of recouping an investment of up to a million pounds to save the Church Commissioners spending perhaps £200,000 demolishing the place, they’d have a very beautiful building for their money.

Kenneth McKenzie’s church looks much bigger inside than you’d expect.  It’s a broad, light, elegant space, picking up the elements of traditional churches in the stripped-back manner of inter-war architecture.

As it stands, it has a melancholy time-warp feel:  although disused for the past couple of years, the hymn-books are still on the shelf and the vestments hang in the vestry.

Because the parish was always at the high end of Anglo-Catholicism, it retains statues of saints, a Pietà and a highly ornate reredos of 1923 which is in fact a refugee from the demolished church of Holy Trinity, Preston via another demolished church, St Margaret’s, Burnley.  Presumably it will once more go on its travels.

St Cecilia’s also has an impressive-looking organ, built in 1986 by Cousans of Lincoln from the previous organ by Vincent’s of Durham (1972) with additional parts from two other organs by the Sheffield firm of Brindley & Foster.

Checking the organ in the National Pipe Organ Register [http://www.npor.org.uk/cgi-bin/Rsearch.cgi?Fn=Rsearch&rec_index=N01088] alerted me to a revealing chronology:

1972:  new organ
1986:  another new organ
1999-2003:  renovation of undercroft (nearly £400,000 funded largely by the Single Regeneration Budget and the National Lottery)
2010:  roof, heating and electrical wiring beyond economic repair
2011:  church closed

It’s clear, with the luxury of hindsight, that it would have been better to prioritise maintaining the outer envelope of the building rather than embellishing the interior.

As it is, the cost of doing anything with it – knocking it down or reviving it – will be onerous.

I mentioned again the stern requirement in the Pastoral Scheme for St Cecilia’s that the church shall be demolished, and Paul assured me that if anyone were to come up with a practical scheme to save the building the process towards demolition could be stalled.

It’s a big ask to fill an empty envelope.

36774 Sheffield Parson Cross St Cecilia's Church

Goodbye St Hilda’s

St Hilda’s Church, Shiregreen, Sheffield (September 2013)

St Hilda’s Church, Shiregreen, Sheffield (August 31st 2013)

At the belated start of the belated campaign to save St Hilda’s Church, Shiregreen, Sheffield I knew a good deal less about the byzantine workings of the Church Commissioners than I now do.

As the scaffolding goes up to begin destroying St Hilda’s, I’ve learned that to develop the land on which an Anglican church has stood requires unusual tenacity.

The conditions of sale demand that a prospective purchaser has a practical business plan and planning permission for the proposed development.

Planning permission involves a significant amount of expensive professional support.

Then, I’ve discovered, the prospective purchaser has to demolish the church building before they can purchase it.

Clearly, this requires nerves of steel and a great deal of faith, because it can cost close on a six-figure sum even to create an empty site.

I hope whatever goes up in place of St Hilda’s looks at least as good.

One less twentieth-century suburban church makes the others that remain marginally more valuable.

The failed campaign to save St Hilda’s Church, Shiregreen is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom.

For details please click here.

Parson Cross

St Cecilia's Church, Parson Cross, Sheffield

St Cecilia’s Church, Parson Cross, Sheffield (2013)

The huge Parson Cross municipal housing-estate on the north side of Sheffield dates only from the 1930s, though the place-name – written as “Parson’s Crosse Lane” – goes back at least to 1637.

There are, inevitably, lots of jokes about grumpy clergy.

Because the adjacent Shiregreen community missed out on opportunities to intervene in the plan to demolish the redundant church of St Hilda, I’ve since kept an eye on the disused church of St Cecilia, Parson Cross.

Not far off £400,000 was apparently spent on upgrading St Cecilia’s undercroft as a youth club as recently as the Millennium.  Yet demolition has been on the cards since at least 2010.

Early in August I responded to the Church Commissioners’ pianissimo advertisement of a drop-in meeting to discuss the proposed scheme to demolish.

The local residents who turned up vehemently opposed the destruction of St Cecilia’s, though none of them were members of the final congregation of ten that moved out in 2011.

People care deeply about their local parish church even if they don’t darken its doors from one year’s end to the next.  The place where their families were baptised, married and taken for their funerals means a great deal.

It’s strange that clergy and active church members have such difficulty attracting new members.

The process of disposing of redundant church buildings is convoluted.  The building is vested in the incumbent, and is the responsibility of the parishioners.  When the parish can no longer maintain the building, a divided responsibility between the diocese and the Church Commissioners triggers a byzantine legal process with little scope for the secular community to intervene.

It all looks underhand, and it makes local people impotently angry.

A diocesan document of 2010 which I’ve quoted in a previous blog-article about St Cecilia’s declared, “The Church building has reached the end of its life.”

Conversely, the Church of England Church Buildings Council in 2011 advised, “The problems are superficial, although investment would be required to rectify them.”

The Statutory Advisory Committee of the Church Buildings Council concluded a few months later that demolition was ill-advised because of the “low cost of essential repair and [the] potential for the cost of long-term repairs to be (part) absorbed into the cost of conversion”.

Yet a Scheme, as it’s called, for demolition is under way.

I wanted to know why demolition was presented as the only option, and I was told that demolition has to be written into Pastoral Schemes in case it may become necessary, but an acceptable scheme to retain the building, backed by planning permission and a credible business plan, would be preferred.

I’d love to see the people of Parson Cross put together a credible proposal for re-use, but to give them a fair chance, they should have been alerted at least three years ago.

Whose campus?

Jessop Hospital for Women, Sheffield:   Edwardian Wing (May 5th 2013)

Jessop Hospital for Women, Sheffield: Edwardian Wing (May 5th 2013)

Thomas Jessop (1804-1887) was a Sheffield steelmaker whose wealth took him from his birthplace on Blast Lane by the canal to the opulent Endcliffe Grange to the west of the town.  He served as both Mayor and Master Cutler, the two leading roles in the borough, in 1863.

His greatest benefaction to Sheffield was the Jessop Hospital for Women, a 57-bed facility, designed by the local architect John Dodsley Webster, which cost £26,000 when it opened in 1878.

An Edwardian extension, also by J D Webster, trebled the capacity in 1902, and an unremarkable new wing was added in 1939-40.

The whole hospital was replaced by a women’s wing in the Royal Hallamshire Hospital in 2001:  http://www.sth.nhs.uk/our-hospitals/jessop-wing.

Sheffield University took over the site in 2007, demolished most of the peripheral buildings [http://www.bbc.co.uk/southyorkshire/content/image_galleries/jessops_hospital_old_gallery.shtml?1] and carefully restored Webster’s original wing as a base for the Department of Music, which opened in 2009:  http://www.shef.ac.uk/music/about.

The University then proposed to demolish the Grade-II listed Edwardian wing to replace it with an arrogantly modern £81-million New Engineering Building, and caused uproar.

The Director of Estates & Facilities Management, Mr Keith Lilley, told the Sheffield Telegraph (April 22nd 2013), “Having a new building across the whole site would allow us to provide around five per cent more space and cost 10% less per square metre.  A totally new building would create 19,600 square metres of space whereas incorporating the hospital wing would provide 17,300 square metres.”

Sheffield City Council chose to support demolition http://postcodegazette.com/news/9002814177/demolition-of-listed-edwardian-wing-at-jessop-hospital-gets-go-ahead-AT-sheffield-former-jessop-hospital-for-women, ignoring the recommendations of their own planning team:  “The proposals have
serious implications and constitute poor design and should therefore be refused
in accordance with the National Planning Policy Framework.”

Specifically, the principal planning officer supported the 1902 block for its “positive townscape value”, and described the New Engineering Building as an “ungainly big box with an overly-complex external envelope that has no relationship with its setting”.

In bean-counting terms the argument has weight, but RMJM Architects’ showy cube cannot compare with Webster’s elegant building.

Moreover, there is a vital legal issue at stake.  Conservationists are deeply angry that listed-building legislation is being disregarded.

The Ancient Monuments Society, the Society for the Preservation of Ancient Buildings and the Victorian Society [http://www.victoriansociety.org.uk/news/university-demolition-plan-flawed-and-unfair] each condemned the decision, and the Hallamshire Historic Buildings Society declared this was simply “the easy way out” and “a dangerous precedent”.

Private Eye (March 22nd-April 4th 2013) described the University’s plans as “gratuitously destructive and wasteful”.

A request to the Secretary of State for Communities and Local Government, Eric Pickles, to review the planning application was turned down.

SAVE Britain’s Heritage mounted a legal challenge, believing that the City Council “relies on an unsatisfactory interpretation” the new National Planning Policy Framework [http://www.savebritainsheritage.org/docs/articles/Jessops%20Hospital%20press%20release%20March%2013%20FINAL.pdf] and the social media buzzed:  https://www.facebook.com/oldjessophospital.

The challenged failed, and the Edwardian Wing was demolished in the late summer of 2013.

It was only one building, but the need to preserve it was hugely significant.  Why should a university, of all things, dump on the city a jazzed-up vanity building to gain 5% extra space in place of a polite, well-built, valuable piece of townscape?

Poste restante

Former Head Post Office, Fitzalan Square, Sheffield (1993)

Former Head Post Office, Fitzalan Square, Sheffield (1993)

Sheffield was a town that thought it was a village, until 1893, when it became a city that thought it was a town.

Indeed, the first impressive piece of civic planning in the centre of Sheffield was Fitzalan Square, which grew from street clearance in the 1880s and is dominated by the baroque bulk of the former Post Office, built in 1910 to the designs of the Office of Works architect, Walter Pott.

This imposing place in which to buy a stamp closed in 1999, and three successive developers have failed to find a way of financing a new use:  http://www.thestar.co.uk/news/sorted_at_last_1_3672707.

Meanwhile, the urban explorers have kept an eye on the place, and their posts show that while most of the interiors were functional, the public spaces and the main staircase deserved to be kept:  http://www.derelictplaces.co.uk/main/showthread.php?t=5062http://www.28dayslater.co.uk/forums/other-sites/68834-sheffield-central-post-office-february-12-a.html and http://www.urbexforums.com/showthread.php/16186-General-Post-office-amp-sorting-office-Fitzalan-Square-Sheffield-Feb-2012.

The latest word is that this fine but mouldering building is to become a college for overseas students with 18-storey residential tower on the vacant plot behind:  http://www.sheffieldnewsandsport.com/2013/03/21/fitzalan-square-facelift.

If another high-rise building in the city-centre is the price of keeping Pott’s Edwardian splendour I think it’s worth paying.

Meanwhile, within a couple of minutes’ walk of Fitzalan Square, the Old Town Hall and the United Gas Light Company Offices, both listed, stand idle and neglected, and two fine post-war department stores, the former Walsh’s and the Co-op’s Castle House are in an uneasy state of transition.

And the City Planning Committee and the Secretary of State have waved through the demolition of the Edwardian wing of Jessop’s Hospital – which is another story…