Category Archives: Sheffield’s Heritage

Mi Amigo

Mi Amigo memorial, Endcliffe Park, Sheffield

I’ve been aware for a long time that there was a memorial to the ten airmen who died when their USAAF B-17G Flying Fortress crashed in Sheffield’s western suburbs in 1944, but I mistakenly thought it was located somewhere in the depths of Ecclesall Woods.

Returning from a bombing mission over Denmark, the plane Mi Amigo was crippled by enemy gunfire and inexorably losing height as it limped towards the city.

David Harvey has extensively researched the story of Mi Amigo and its crew, which he wrote up and published in Mi Amigo’:  the story of Sheffield’s Flying Fortress (ALD Design & Print 1997).

Eye-witness accounts agree that the plane approached Endcliffe Park from the south-east, over Gleadless and Heeley, and circled looking for a place to land.  Eventually an engine died and the plane spun three times and plunged to the earth among the trees.

In 1969, when ten scarlet oak trees were planted to replace those that were destroyed or had to be felled after the wreckage was cleared, two memorial plaques were fixed to a large boulder, listing the ten airmen and dedicated to their memory:

Erected by

Sheffield RAF Association

in memory of

the ten crew of USAAF bomber

which crashed in this park

22-2-1944

Per Ardua Ad Astra

Lt John Kriegshauser (pilot, from Missouri)

Lt Lyle Curtis (co-pilot, from Idaho)

Lt John Whicker Humphrey (navigator, from Illinois)

Lt Melchor Hernandez (bomb-aimer, from California)

Sgt Robert Mayfield (radio operator/log-keeper/photographer, from Illinois)

Sgt Harry Estabrooks (flight engineer/top-turret gunner, from Kansas)

Sgt Charles Tuttle (lower turret gunner, from Kentucky)

Sgt Maurice Robbins (rear-gunner, from Texas)

Sgt Vito Ambrosio (waist-gunner and assistant radio operator, from New York)

Sgt George Malcolm Williams (waist-gunner and assistant flight engineer, from Oklahoma)

An annual commemoration, supported by the Hallamshire Branch of the Royal British Legion, takes place on the Sunday nearest to the anniversary.

A group of schoolboys who saw the plane come down never forgot it, and one of them, Tony Faulds, aided by the BBC journalist Dan Walker, campaigned for a flypast to mark the 75th anniversary of the incident.

On the morning of February 22nd 2019 ten RAF and USAAF aircraft flew over Endcliffe Park, watched by a crowd of thousands and broadcast live on BBC Breakfast.

Nuanced analyses in response to the 2019 commemoration suggest that the commonly accepted account has been repeatedly embellished:  Did Tony Foulds Lie About Mi Amigo? • The Sheffield Guide.

History is complicated.  Multiple witnesses see a sudden event from different viewpoints.  Seventy-five years is a long time to recollect facts accurately.  Journalists prioritise an eye-catching story over a forensic examination of facts.

What matters, surely, is that the supreme sacrifice of ten airmen is remembered and recognised by those of us who have lived after them.

Update: The eightieth anniversary of the Mi Amigo crash was marked by a further fly-past: Flypast to mark 80th anniversary of Mi Amigo US bomber crash (thestar.co.uk).

Further update: Tony Fauld’s continuing mission to keep faith with the memory of the Mi Amigo crew is detailed in this July 2024 news article: Sheffield war memorial caretaker hails ‘marvellous’ response after tools stolen | Sheffield | The Guardian, which led to an astute report by Victoria Munro (with a range of interesting comments) in the Sheffield Tribune: Who owns the Mi Amigo memorial? – by Victoria Munro (sheffieldtribune.co.uk).

Street transport nostalgia

Stagecoach Supertram no 120 (February 2013)
First South Yorkshire bus no: 37528
First South Yorkshire bus no: 37229

In 2010, to commemorate the fiftieth anniversary of the closing of Sheffield’s first-generation tram system, Stagecoach Supertram, its light-rail successor, repainted one of their units in a near-approximation of the distinctive Sheffield Corporation azure-blue-and-cream livery.

I sense that the blue isn’t exactly authentic, but it’s a close match and it suits the lines of the 1994 Siemens-Deuwag unit.

The livery on this tram is still a familiar sight on Sheffield’s streets over ten years later, and when the unit, no: 120, was involved in a collision with another, no: 118, in 2015, the undamaged sections of 120 were attached to the undamaged end of 118 which was repainted to match. 

Correspondingly, the two damaged ends were united and sent for repair.

The insistent nostalgia for old liveries extended to Sheffield’s buses when First South Yorkshire commemorated the centenary of bus operation in Sheffield in 2013.  Two double-deckers appeared in approximations of traditional Sheffield liveries.

One of them, no: 37229, looks well in the 1935 azure-blue-and-cream Sheffield livery, re-registered from YN08 LCJ to a more authentic plate 3910 WE belonging to a long-retired double-decker, and the visible fleet-number was truncated to 229.

The other repaint, no: 37528 (YN58 ETX), is less successful, because the contemporary Prussian-blue-and-cream tram livery was adapted for modestly-proportioned 1913 buses and it simply doesn’t fit the bulky lines of a modern double-decker.  The vehicle carries an appropriate fake fleet number 1.

The most endearing aspect of the livery on 37528 is that it carries the name of the long-serving and highly respected general manager of Sheffield Corporation Tramways, Arthur R Fearnley, who is credited with building Sheffield’s public transport system into a source of great pride in the city.  His grandson, Giles Fearnley, was Managing Director of First Bus from 2011 to 2020.

I’m intrigued that modern bus operators are making an effort to perpetuate the liveries of their predecessors.

First South Yorkshire has vehicles running around in the liveries of Rotherham Corporation [First South Yorkshire 37231, YN08LCL. | EYBusman | Flickr] and South Yorkshire Transport [First South Yorkshire 37524, YN58ETR. | EYBusman | Flickr], and Stagecoach has a single-decker in Chesterfield Corporation livery:  [Stagecoach 34720 YN05XNZ at Chesterfield | driffbus | Flickr].  A quick glance at a bus-enthusiast forum suggests this fashion is prevalent across the British Isles.

Nostalgia apart, it’s apparent that modern vehicles actually look better in heritage liveries, not simply because of the choice of colours and typography, but because up to the 1970s it never occurred to anyone to ignore the natural proportions of the bodywork. The garish colours and the swoops and swirls of some modern liveries are what Cecil Beaton, referring to the Duchess of Devonshire’s flower beds, described as a “retina irritant”.

Still making steel

Special Quality Alloys Ltd, Continental Works, Attercliffe, Sheffield [© Jon Dennis, S6 Photography Ltd]

The Continental Works of Sheffield’s Jonas & Colver high-speed steel company in Attercliffe is still dedicated to highly skilled metal-bashing.

In its heyday before the First World War, Jonas & Colver made their mark in the grimy East End by embellishing their forge building with elaborate cartouches of their trademarks and the date ‘1911’.

When the company left the Bessemer Road site by the 1970s the site was turned over to a training centre for out-of-work steel workers needing to learn new trades.

In 2014 Continental Works once again returned to steel manufacture and there’s a curious connection between Jonas & Colver and the current occupiers.

Special Quality Alloys Ltd, which is part of the Special Steel Group, was founded by Bennett Beardshaw, who began his career in the steel industry as a junior accounts clerk at Jonas & Colver in 1906.  He would have known, at least by sight, both Sir Joseph Jonas (1845-1921) and Mr Robert Colver (1842-1916).

In 1925 Bennett Beardshaw suggested that Jonas & Colver should start a heat-treatment business.  The management was unconvinced and Beardshaw was invited to leave.  He set up the Special Steel Co Ltd, half a mile away at Bacon Lane on the Sheffield Canal, a site that still remains the base of the parent company.

Four generations of the Beardshaw family have led the company for almost a century, and the current managing director, great-grandson of the founder, is also called Bennett Beardshaw. 

Earlier this year I was privileged, thanks to Shane Higgins, the company’s Sales Engineer, to watch a team of four men using a fork-lift truck to place red-hot steel Polo mints, up to three feet in diameter, under the sort of drop hammers that lulled me to sleep in my Attercliffe childhood, bashing the glowing metal to the shape and thickness required.  Even when you’re outside the building, the earth moves.

This is noisy, dangerous, highly-skilled work that goes on behind the high brick walls.  A new recruit to one of these teams simply watches for the first six months before they’re trusted to take part.  Almost all of their communication is non-verbal, because they’re masked up to the eyeballs and wear ear-protectors against the deafening noise. 

Most people think that the steel industry has largely deserted Sheffield, and certainly the thousands of gaberdine-clad men with flat caps and mufflers no longer trail daily into the huge black sheds that filled the valley floor until the 1980s.

But the city’s proud tradition remains of know-how and skill that produces steel of world-class quality to meet modern demands.  Continental Works produces high-specification critical parts for oil and gas, defence, space and the emerging renewable sectors.

This promotional video gives a vivid idea of the combination of precision technology and traditional metal-bashing that is too hazardous to invite the public to see: Special Quality Alloys – A look behind the scenes at our facility here in Sheffield, UK (youtube.com).

It’s not easy to see how it’s done, but you have only to walk down Bessemer Road to hear it and feel it whenever the forge is working.

Jonas & Colver

Jonas & Colver, Continental & Novo Steel Works, Bessemer Road, Attercliffe, Sheffield (1985)

Joseph Jonas was born in Bingen-am-Rhein, Germany in 1845.  In his youth he worked for a couple of German iron-and-steel companies until he emigrated to England in 1867 to avoid military service.

He arrived in Sheffield, a total stranger, and initially worked as a commercial traveller.  He began his own manufacturing business in 1870 and two years later went into partnership with Robert Colver making high-quality crucible cast steel and, later, “Novo” high-speed steel for high-temperature cutting edges in hand tools and machine tools.

The partnership, which became a limited-liability company in 1892, was based at Continental Works and Novo Steel Works in Attercliffe, the heart of Sheffield’s heavy steel industry, and developed a reputation as one of the largest and most reliable suppliers of specialist steels in the industry.

Joseph Jonas made an outstanding contribution to public life in Sheffield.  He joined the town council in 1890, became a magistrate and an alderman and served as Lord Mayor in 1904-05. As an Attercliffe councillor he took a lead in acquiring High Hazels Park, Darnall, for public use.  He also acted as German Consul for Sheffield.

He gave financial support to the University’s Applied Sciences, French and German programmes, and was knighted in 1905 when King Edward VII and Queen Alexandra visited the city to open the Sheffield University building on Western Bank.  In 1916 he contributed £5,000 to a bequest from the late Edgar Allen to found the Allen & Jonas Laboratory for metal-testing.

The company took the name Sir Joseph Jonas, Colver & Co Ltd in 1907.  Robert Colver kept a lower public profile than his partner, except that he served as Master Cutler in 1890.  He died in 1916, aged seventy-four, leaving Sir Joseph to continue the business.

Continental Works was heavily involved in supplying steel for armaments in the First World War, but in 1918 Sir Joseph was accused of contravening the Official Secrets Act by obtaining and communicating “certain information prejudicial to the interest of the State and information useful to the enemy”.

This prosecution harked back to an answer to an enquiry from a German customer in 1913 about a new rifle to be marketed by the Vickers company.  There was considerable pre-war trade between Sheffield steel firms and such companies as the Krupp corporation:  orders, materials, equipment and information were regularly exchanged until the declaration of war abruptly broke contact.

Sir Joseph and his co-defendant were found not guilty of a felony but convicted of a misdemeanour on a legal technicality.  They were fined £2,000 and £1,000 respectively, plus costs.

Then Sir Joseph’s troubles began. 

He immediately retired and gave up his position as chairman of Sir Joseph Jonas, Colver & Co Ltd, which shortly afterwards was renamed simply Jonas & Colver.

Three weeks later he was deprived of his knighthood by King George V, and the following month he was removed from the magistrates’ bench.

What in 1913 had been an entirely normal exchange of trade information between companies in two countries that were not at war became in 1918 a pretext for anti-German prejudice against a naturalised British subject, as an article on Chris Hobbs’ website shows in detail:  Joseph Jonas (1845-1921) – Was a former Lord Mayor of Sheffield, a traitor? (chrishobbs.com).

Sheffield people would have none of it.  His workers continued to call him “Sir Joseph”, and after his death aged seventy-six on August 22nd 1921 his funeral at Ecclesall Church was attended by the Lord Mayor and the Master Cutler, the Pro-Chancellor and the head of the Applied Science Department of Sheffield University, the chairman of the Sheffield Education Committee and, according to The Times, “representatives of every side of the city’s activities”.

Sir Joseph was not alone. 

At the very beginning of the Great War the Lord Mayor of Coventry, Siegfried Bettmann, was, so to speak, sent to Coventry:  World War One: Coventry mayor vilified over German roots – BBC News.   

Similarly, Sir Edgar Spayer (1862-1932), chairman of the London Underground Electric Railways group, was ostracised after the War: On the margin | Mike Higginbottom Interesting Times.

It was not a time to reveal any connection, by name, birth or association, let alone activity, with Germany.

This was, after all, the period in history when German Shepherd dogs became Alsatians.

The Hole in the Road

Castle Square, Sheffield (1993)

Nineteenth-century Sheffield was a town that thought it was a village.

After Sheffield became a city in 1897 it was a city that thought it was a town.

Sheffield folk don’t take easily to the idea of grandeur.  They make things.  Predominantly Nonconformist, truculent and quietly proud of their skills and products, they look upon other Yorkshire cities as brash.

The Blitz of December 1940 flattened much of the city centre and the city planners took advice from (among others) Birmingham City Council’s City Engineer, Herbert Manzoni, himself notorious for rendering his own city unrecognisable.

Their plans saddled Sheffield with a plan for a “Civic Circle” road centred on the Town Hall, together with an Inner Ring Road and an Outer Ring Road.

One aspect of this scheme, to be picked up by Sheffield’s City Architect, Lewis Womersley, on his appointment in 1953, was that as far as possible pedestrians and motorists should move around the city centre at different levels.

Womersley’s Castle Market (1960-65) happily achieved this, taking advantage of its sloping site to provide access on three levels to shops, clear of motor vehicles at ground level.

At the traditional Market Place, however, the idea didn’t work out. 

A dual carriageway, Arundel Gate, swept across the Duke of Norfolk’s grid of Georgian streets, and came to an abrupt halt at the top of Angel Street, where a roundabout directed traffic downhill along Commercial Street towards the Parkway.

Against Womersley’s wishes, motor vehicles negotiated this tight turn at ground level, and pedestrians were pushed below ground into a dramatic space with a circular oculus open to the sky, opened in 1967.

Though the planners called this circle Castle Square, Sheffield folk obstinately labelled it the Hole in the Road

The only decorative feature was a 2,000-gallon fish-tank which became a popular meeting place, replacing Coles Corner which had lost its raison d’être after the Cole Brothers’ department store moved to Barker’s Pool in 1963.

Despite the subway-level entrances to adjacent shops and a couple of sad little stalls for buying newspapers and cigarettes, this memorable piece of townscape proved to be dead space and as the years passed it became more and more grubby and threatening.

Promotional literature for the proposed Sheffield Minitram, a driverless elevated people-mover, showed its track supported by a single pillar in the centre of the Hole in the Road as it climbed High Street.  The project was quietly dropped in 1975.

When the full-size, standard-gauge Supertram was planned, it was quickly obvious that the Hole in the Road would have to go. 

It was closed and filled in, possibly with rubble from the demolition of Hyde Park Flats, in 1994.

There’s a story that when the fish tank was emptied the only remaining fish was a piranha. I can’t vouch for it.

The generation of locals who met their date by the fish tank may regret its demise but even Lewis Womersley would probably agree that Castle Square was a dubious idea in the first place.

The story of Castle Square – the “Hole in the Road” – is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom. For details please click here.

Streets in the sky 2

Hyde Park Flats, Sheffield: demolition (1992)

Sheffield’s Park Hill development, completed in 1961, has remained popular, though the flats and maisonettes overlooking the city centre are by no means everyone’s idea of an ideal dwelling.

The bigger Hyde Park complex, prominent on a steep bluff above the Don Valley, was inevitably vertiginous and became generally unpopular.  I wonder what the Queen Mother made of the place when she opened it in 1966.

The sanguine hopes that Corbusian decks would provide an adequate replacement for the dirty, rundown streets and backyards of the industrial East End soon faded.  Working Sheffield families were glad at last to have indoor sanitation, space, light and central heating, but not at the price of high winds, isolation and loneliness. 

High-rise housing was a nightmare for families with young children, and as the children grew Hyde Park and Kelvin became bywords for vandalism and crime.   At Hyde Park in particular, furniture and – on occasions – desperate inhabitants came over the balconies:  on one occasion a falling television killed a seven-year-old girl.  At ground-level, hatched areas of tarmac indicated where falling objects were a likelihood, and entry-points to the blocks were eventually given awnings.  Police as a matter of course parked their marked vehicles away from the buildings.

Lionel Esher, in A Broken Wave: the rebuilding of England 1940-1980 (Pelican 1981), describes the context of Womersley’s work:  he concludes, “[In] Hyde Park….Womersley had overreached himself….”  

Sir Nikolaus Pevsner’s condescending assumptions, in The Buildings of England, about what used to be called “slums” eventually gained a bitter irony. 

After years of social problems and misery, the inhabitants of Hyde Park were rehoused in 1990-91 when the World Student Games adventure provided the funding and motivation for a sumptuous upgrading of two of the Hyde Park blocks. 

When the students departed, the two blocks once again housed local people, one block still administered as City Council housing, the other by a housing association. 

The biggest unit, B Block, having been cosmetically redecorated for the Games, was condemned, and its distinctive crusader-castle outline disappeared from its bleak hilltop site in 1992-3, to be replaced by unobtrusive low-density housing. 

A surprising number of Sheffielders expressed regret at its passing.

It’s a pity that Hyde Park, itself such a magnificent piece of townscape, turned out to be unusable.

The story of Park Hill and Hyde Park Flats is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom. For details please click here.

Streets in the sky 1


Park Hill Flats, Sheffield (1982)

Few decisions about listing buildings have caused so much controversy as the Grade II* award to Sheffield’s Park Hill Flats in 1998.  Opinion remains divided about whether the late-1950s “streets in the sky” are emblematic of post-war optimism, or an abomination that should have been torn down long ago.

J L Womersley was appointed City Architect for Sheffield in 1953 with the responsibility for redeveloping the bomb-damaged city centre and coping with a massive housing problem. 

Neighbouring authorities, particularly Derbyshire, opposed Sheffield’s threats to invade their territory with boundary extensions, yet overspill populations from densely-packed inner-city areas couldn’t be decanted away into the city’s Green Belt. 

After the mid-1950s development of the attractive low-density Gleadless Valley and Low Edges estates there was nowhere else to build.

As well as the tower-block developments common to many British cities, Lewis Womersley experimented with two deck-access developments, Park Hill (1958-60) and Hyde Park (1962-6), followed after his departure to Manchester by Kelvin (W L Clunie, 1966-9), each a development of Le Corbusier’s Unité d’habitation street-deck concept. 

In execution Park Hill was easily the most successful, partly because of its relative proximity to the city-centre, but mostly because the steeply-sloping site permitted ground-level access at one end to each floor except the topmost. 

The development offered a range of accommodation – one- and two-bedroom flats, interspersed with two- and three-bedroom maisonettes.  Among the up-to-the-minute conveniences, the Garchey waste-disposal system, flushing kitchen waste to ground level, reduced the need for dustbins.

Pubs, shops and a newly-built primary school provided local amenities, and the site is a short bus-ride from the city centre.

Sir Nikolaus Pevsner, in the second edition of The Buildings of England: Yorkshire West Riding (revised by Enid Radcliffe, Penguin 1967), made a complacent but prescient comment about Park Hill, that they would be slums within half a century, and he hoped, with breathtaking arrogance, that they would at least prove to be a cosy slum “which people will feel to be their home”.

When Park Hill was listed Grade II* in 1998, the Head of Listing at English Heritage, Dr Martin Cherry, described it as “likened to a medieval fortress, a glittering cliff-face of windows….a magnificent structure of which many of its residents and Sheffield Council are rightly proud”. 

A comprehensive refurbishment by the developer Urban Splash, started in 2009 but stalled in the face of adverse economic downturn, is still not concluded.

When it’s finished, Park Hill will be cosy, and it certainly won’t be a slum.

Attercliffe remembered

Attercliffe Common, Sheffield (1977)

When I recently showed my ‘A Look Round Attercliffe‘ presentation to the Woodsetts Local History Society near Worksop, a lady stood up at the end and gave a vote of thanks in verse.

Enid Bailey had put this piece together while I was lecturing, and she followed precisely the structure of my presentation:

Thank you Mike, for taking us back to 

Our world of yesterday

Where bricks turned black, each chimney stack 

Coughed out clouds of grey 

Thank you Mike, for taking us back 

To mum’s favourite shop – Banners 

We thought it a splendid place to spend 

Our threepenny bits and tanners 

Thank you Mike, for taking us back 

To swap shops, pubs galore 

Where thirsty steel men often went

Eagerly through the door 

Thank you Mike, for taking us back 

To cinemas so grand 

No wonder they called them palaces 

The finest in the land 

Thank you Mike, for taking us back 

To times so grim and hard 

But the children were sent to school 

And played in the old school yard 

Thank you Mike, for taking us back 

To when people had high aims 

To better themselves and earn success 

In education, sport and games 

Thank you Mike, for taking us back 

I could go on for ever

Shall we forget our Attercliffe?

It lives in our hearts – so Never!

No vote of thanks has warmed my heart more in forty years of giving history lectures.

I felt like giving a vote of thanks for the vote of thanks.

Halls and meadows

523/525 Attercliffe Road, Sheffield (1976)

The name of the huge Meadowhall shopping centre, beside the M1 Tinsley Viaduct between Sheffield and Rotherham, is historically significant.  It commemorates a farm, Meadow Hall, which stood where the northbound entry slip-road of Junction 34 climbs to the carriageway.

The valley of the River Don downstream from Sheffield itself remained rural till surprisingly late.

Even after the Attercliffe Common was enclosed in 1811 and the Sheffield Canal opened in 1819, the flat valley plain was thinly populated apart from the three small villages of Attercliffe, Carbrook and Darnall.

When the Sheffield & Rotherham Railway arrived in 1839, followed by the big steel works founded by such names as Firth, Brown, Vickers, Cammell and Jessop, the workers’ housing first went up on the north side of the valley in Brightside and Grimesthorpe.

The terraced housing in Attercliffe itself dated from the 1860s onwards, which is why there were few back-to-backs.  (Sheffield took against back-to-backs because of the lack of ventilation;  Leeds and Bradford people liked them because they were cosy.)

In the valley the earlier villas and houses are now commemorated solely in street names – Attercliffe Old Hall, Attercliffe New Hall, Chippingham House, Shirland House, Woodbourn Hall.

Only two buildings remain from the time when the valley was beautiful – Carbrook Hall (c1620) and the Hill Top Chapel (1629-30), but a couple of other very attractive relics of pre-industrial days survived until the 1960s.

One was Carlton House on Kimberley Street fronting on to Attercliffe Road, built to replace an older manor house that burnt down in 1761.  A polite Georgian house of five bays and three storeys, it appears on a map dated 1777 and in 1819, when the tenant was Thomas Howard, it was surrounded by extensive pleasure grounds and a pond 1½ acres in area.

In the 1830s it was the home of Samuel Jackson, co-founder of the sawmakers Spear & Jackson and in 1839 it was apparently sold to the Duke of Newcastle.  (That title hardly ever figures in Sheffield’s history, and may have crept in as a typo for the ubiquitous Duke of Norfolk.)

For many years it was a doctor’s surgery, and by the Second World War was the premises of Alfred A  Markham & Son, undertakers, joiners and shopfitters.

There is a photograph in the Picture Sheffield collection showing it intact in 1968 but it was later demolished.

Nearby, at the top of Heppenstall Lane, stood 523/525 Attercliffe Road, a semi-detached pair of houses of very much the same style and period as Carlton House, with a rainwater head carrying the date 1779.  I photographed them in 1976 but within a few years they were gone.

Swathes of history can easily disappear, unless they happened to be captured in chance photographs or archive references.

Petre Street Primitive Methodist Chapel

Petre Street Primitive Methodist Chapel, Sheffield (1977)

In 1977 I made a point of photographing the demolition of the magnificent All Saints’ Church, Ellesmere Road, Sheffield (1869) and, incidentally, took one image of the nearby Petre Street Primitive Methodist Chapel (1869).

I knew nothing of its history;  I simply thought it looked attractive, surrounded by boarded-up terraced houses that were clearly going to disappear.

Petre Street was the largest Primitive Methodist chapel in Sheffield:  its main hall seated 1,250 and its site on a steep slope provided room for a schoolroom, institute and classrooms in addition.

It had a troubled inception.

Sited on what was then the outskirts of Sheffield, it stood on a bleak hilltop overlooking the burgeoning steelworks in the Lower Don Valley below.

During construction a storm blew away the roof in November 1867, and the contractor repaired the several hundred pounds’ worth of damage.  This was completed on Friday February 7th 1868, when the beginning of another storm obliged the workmen lash themselves to the scaffolding to avoid being blown off.

This second storm over two days and nights caused considerable damage over a wide area, including two fatalities in the centre of Sheffield.

Overnight a section of the gable end of the partly-constructed chapel fell away, and at three o’clock the following afternoon the side wall collapsed, bringing with it the roof and its timbers, filling the interior with debris and weakening the remaining side wall so that it too collapsed. 

This time the repair bill, estimated at £1,200, was the direct responsibility of the trustees, who immediately set about fundraising. 

The church was opened at an eventual cost of £5,000, with a remaining debt of £2,400, on Friday March 27th 1869.

As a community, the Petre Street Methodists lost no time.  Newspaper reports in 1869 show a relentless programme of events in addition to services – Band of Hope meetings, a sale of work, a bazaar, the oratorio Babylon and, immediately after Christmas, a tea for a thousand in two sittings, for which eight hundred tickets were sold.

The trustees’ courage and determination in surviving not one but two storms at the outset is remarkable.

At the start of the twentieth century this congregation was described by the Primitive Methodist Magazine as leading one of the most “aggressive and prosperous” Primitive Methodist circuits in Sheffield.

For a century, the two congregations, Anglicans at All Saints’ and Primitive Methodists at Petre Street, came and went each Sunday within sight of each other.

As the houses were cleared in the mid-1970s both congregations diminished.  All Saints’ had gone by the middle of 1977, and the Petre Street chapel was closed and quickly demolished in 1980, when the two churches moved together into a new building, St Peter’s, designed by the G D Frankish Partnership.

It’s an attractive design, though it lacks the impact of All Saints’ or the quieter dignity of the Petre Street chapel.

St Peter’s Church, Ellesmere, Sheffield